Tuesday, June 21, 2016

HEALTH CARE, HOUSING AND EDUCATION NEED IMMEDIATE ATTENTION .. .


                    

HEALTH CARE ,   EDUCATION   AND    HOUSING ARE OUT OF REACH   FOR     MIDDLE CLASS   NOW.. 


Since last two decades , Government's style and method of spending on Health , Education and Housing has resulted in mushroom growth of greedy private sector in these key segments.The driving force for this private sector is only money and their mission is to earn more and more every day.

HEALTH CARE
In private hospitals doctors are given Targets for surgeries ,Tests and other activities that are likely to increase earnings for the Hospital.In Mumbai , I came to know that a hospital disconnected AC facility in the room of a senior ENT surgeon who was not recommending surgeries in all cases.Another hospital dispensed with the services of a senior consultant who was not prescribing tests to every patient. All private hospitals are outside the reach of a common man now..Medical ethics and social commitment has no meaning in these shops.Consultants are made to move in field in the garb of free check ups to bring newer patients.  In one hospital ,  A very small Benign Sebaceous cyst of 4mm diameter was surgically removed  at an astronomical  cost of  Rs30000/ ( Thirty thousands  ) in a private hospital . It  was made to look like a major surgical intervention.Patient made to stay overnight.

 I quote a news irem Published in TOI Mumbai Edition dated 23rd May 2016.
Quote ..
“ A doctor working in one of New Delhi's leading corporate hospitals said, “I was shocked to see that patients suffering from sore throat were admitted in the ICU. On my first day , I was directed to not tell the patients clearly what they were suffering from. We were told to prescribe as many investigations as possible, since that is where the maximum revenue is generated.“
The shocking revelation was made by a doctor, on condition of anonymity , in a recent online poll. Over 86% of 2,570 doctors, who participated in the survey from across the country , including Maharashtra, said corporate hospitals are “encouraging unethical practices“. Most were concerned about the revenuemaking exercises and the culture of targets and deadlines in the corporate hospitals. The poll comes on the heels of similar disclosures made by 78 practising doctors from Mumbai, Kolkata, Delhi, Chennai, Bangalore and Pune that was recently complied into a book by health activist Dr Abhay Shukla and Dr Arun Gadre.”  Unquote

HOUSING

So many stand cheated  in the name of Housing by unscrupulous   Builders across the country . You just can not trust their attractive advertisements in newspapers any more .If you get  possession of a Flat or House that you had book through a Builder, think yourself Lucky . Forget the  recurring demands   and repeated cost escalations that the builder makes over and above the advertised price . The way Land Mafia and builders operate and inflate housing price in our country, 80 % of the population can not dream of buying a shelter in cities leave alone Metros.

EDUCATION

The coaching centres, private schools, private colleges ,Private professional colleges and Crash course centres are just commodity selling centres driven by money market. you have agents of professional colleges staying in Hotels for months who arrange admissions of even such students as have failed in Common Entrance Tests.you have agents, Brokers and middlemen who arrange admission in Medical colleges of Bangla Desh , Russia and other countries without any CET.

CONCLUSION

Government can not wash it's hands off from its pivotal responsibility to administer and manage these sectors so that common man is benefited and not penalized.

Fine , Don't Nationalize these key sectors but tell us how are you going to enforce discipline and order in these sectors .


Health, Housing and Education left in private sector is now proving beyond the reach of country's middle class ....

(Autar Mota)



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TH ART OF DIL BAHADUR CHITRAKAAR FROM NEPAL


                                                        


                    


A NEPALESE TEMPLE ..
Impasto oil on Board.

By DIL BAHADUR CHITRKAAR ( Born 1929 )

(The Buddhist influence is clearly visible when you see the Pagoda style architecture of the temple at its top. This is resembling with the top architecture of Shrines and Ziyaarats of saints in Kashmir .)

Dil Bahadur Chitrkaar ( Born 1929 ) is a leading painter from Nepal. Dil Bahadur belongs to eminent Chtrakaar family of Nepal . This family has been associated with Ranas or the ruling family of Nepal for many centuries . His father jagat Bahadur Chitrakaar and his uncle Tej bahadur Chitrkaar have been eminent painters of Nepal .Dil Bahadur has been influenced by Modern European Art after he visited many Countries to see and study works of Rembrandt, Van Gogh, Paul Gauguin and many others. Finally he decided to paint Landscapes , Life and Culture of his own Land in a different style absorbing due influences from west. Initially Dil Bahadur learnt Art from his uncle Tej Bahadur Chitrkaar .
He uses  oils , Water colours , pastel, Charcoal and Crayon for his work.
                                                                                     
       
                  ( SELF PORTRAIT  BY DIL BAHADUR CHITRAKAAR )
This Chitrakaar family hails from Lalitpur in Nepal . Amar Chitrkaar ,Jang Bahadur Chitrkaar , Bhaju Macha Chitrkaar , Vishnudas Chitrkaar , kazi Krishna lal Chitrkaar , Dirghaman Chitrkaar Raj Mansingh Chtrkaar and Shivadas Chitrkaar were Other well known painters from this Clan from lalaitpur. Chitrakars practice both Buddhism and Hinduism with an emphasis on Tantrism.

Most of the Portraits ,Religious paintings , Thangkas , Temple images in Nepal that adorn the Walls of palaces and some prominent Temples have been done by painters from this Chtrakaar clan. Chitrakaars also paint paubhas used in prayer rooms , murals ,Ritual and Dancing masks and ceramics.

I have personally observed that almost all the paintings of Dil Bahadur have Native form and theme but the Modern European touch is undoubtedly visible . His colours are warm with expressly ochre and brownish hues. In his work , you can see traces of Impressionism and Expressionism . He is a master of semi Abstract figurative work and apparent Realism . Apart from being on display in some Art galleries of kathmandu , his work is also on display in Art galleries of India , Korea, Italy ,Switzerland , France , Germany , Australia , UK , USA and Japan . His paintings are also with some private Individuals in Europe and Art collectors in India .
                                                                                                              
                                      ( HERITAGE BY D B CHITRAKAAR )

                                               ( HOLY MAN BY D B CHITRAKAAR )
                                                 ( LOST HERITAGE 1 BY D B CHITRAKAAR )

                                                                        ( SMOKING BY D B  CHITRAKAAR )
                                                                                                      

                                                       ( HUNTING BY D B CHITRAKAAR )
     
A UNESCO grant enabled him to live and work in Europe for some time .

In the art history of Nepal , Dil Bahadur Chitrakaar remains as one of the most versatile artist with a unique understanding of Traditions and culture of his Land .
“I will never stop creating art because this is the responsibility God has given me. And duty is God.” – 
Dil Bahadur Chitrakaar.
So Long so much …
( Autar Mota )



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Based on a work at http:\\autarmota.blogspot.com\.

THE ART OF MARYAM MUGHAL



                                                                                         
                                    ( DANCING GIRL FROM PUNJAB  BY MARYAM MUGHAL )
                                           ( DANCE BY MARYAM MUGHAL )
                           ( DANCE BY MARYAM MUGHAL )
                  ( WOMEN FROM SINDH BY MARYAM MUGHAL  )
                ( DANCE BY MARYAM MUGHAL )
                 ( DANCE BY MARYAM MUGHAL )
             ( DANCE BY MARYAM MUGHAL )
                           ( DANCE BY MARYAM MUGHAL )
                  ( DANCE BY MARYAM MUGHAL )
                        ( DANCE BY MARYAM MUGHAL )
                                                         ( RODEO SPORT  BY MARYAM MUGHAL )
                                           ( KALBELIA DANCERS OF DESERT  )
                                                   ( FLAMENCO DANCER  BY MARYAM MUGHAL )
                             ( DANCE BY MARYAM MUGHAL)
                                                    ( FLAMENCO DANCER BY MARYAM MUGHAL )
  ( ( Marilyn Monroe By Maryam Mughal )
                                           

           
( Egyptian belly dancer by Maryam Mughal )
                                          
















THE ART OF MARYAM MUGHAL. ( born 1987) 

" Happiness often sneaks in through a door you didn't know you left open.......‌" Maryam Mughal

She is Maryam Mughal from across the border  . Another artist who has since crossed the narrow fence in her work to give you not only a sub-continental but an international feel. . Her subject is women;  happy and dancing .

You can see women in Flamenco or traditional Egyptian dance . She paints them in Indian classical dances like Bhartanatyam , Odissi , Manipuri and Kathak . You can see her women in folk dances like Gidda , Bhangra , Kalbelia (dance of the desert ) and Zikir .

She also paints rural women doing ordinary work like taking water from the well or attending to fields and family or walking through the  desert in search of water . 

Her women are in Sarees , Lachha , Odini , Kurti ,Kalash and other subcontinental dresses . Along with the swirls and swings of their dance , women painted by her are easily identifiable subcontinental images .

      And looking at her work , i can say with confidence that this artist has sound knowledge of Indian classical dances apart from " Mudras" associated with every dance form  . She has also painted horses, streets, Bazaars , railway stations,   moving trains and   classical singers in musical performance. Her work reflects inertia, energy and  movement. She has also painted Parvati (Shakti goddess) and  ancient Egyptian goddesses.

I saw her work . She uses oil , charcoal , pencil ,ink and water colours as her medium. I also saw some excellent sketches done by her . The personalities sketched by her include Marilyn Monroe, Angelina Jolie and many more . Her feminine sketches titled , Heart Broken, A Carefree Lady , Violated , Disappointed Girl  And Flying Girl, Abstract Nude 21 etc. are impressive . Her portrait of Manto is quite impressive. 


                           ( Maryam Mughal )

Maryam writes:-

“ I paint my desires, my expressions and expectations towards life according to my mood swings.
For me, each of my painting is more like my own baby as I feel my soul in it.Contemporary modern and figurative is my favourite domain to work. My work largely explores women’s expressions. It is inspired by my ideas alone . Each piece is an expression of myself and my inner satisfaction. I have never worked in a ruled manner, as the artist’s eyes & hands are much more important than measurement and dimensions.I’m inspired by nature, pain and transitions. I love painting beyond constraints of time and space. My hobby is my profession so I don’t see myself retiring any time in life. I want to leave some work which makes me eternal.
The journey of the artist in me has faced every possible adversity; from rejection to alienation, from ridicule to exploitation but it only grew stronger and today when I look with in, I don’t see much of myself except than an artist ."

( Avtar Mota )




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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
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Saturday, June 18, 2016

MY KASHMIRI POEM AND ENGLISH TRANSLATION " LESSON FROM THE HERMIT, THE COW , THE DOG AND THE BIRDS '


                                                                                 
                                                                          ( Photo clicked by Sandeep Mota )


 Here is the poem..



(Sabak   )

Ba’rra  tal  Aav Saniyassya Vaenn Vaenn
Alakh Niranajan kra’kh Laayaan..
Kho’rr Thikrovun
Assi Ko’dd  Athha Fo’ll
Tomullla  Teela
Aas Tchetuss Zunn Tamie  Vizi Kyaa taam
Nazraa karnuss
Pokk  Paanus …

Pataa Aayi Gaava
Gobb Gobb Paana
Haerri Kijj Hisha Aasuss Zang’a Tchoshavaai ,
Dulnaavaan Lithhanaavaan Paanus
Baasaan Ouss zunn
Vienn Peyi Vienn Peyi
Bat’ah  Teera Tchochi Joraah Traaveiss
Lobb Kunn Thhaaveiss
Mushkaa hetchunuss
Paetch Paanuss..

Pataa Pokk hoona
Laett Gilnaavaan
Pataa Bronh Paanus Nazaraa Traavan
Khorra Panjj’a  Saetienn
Dulnovun Khyaenn
Mushkaa haetchnuss
Laett Gilnaavaan
Pokk Paanuss..


Tcherri Kaavuv Tueijj  Vuff  Aessi Baraa Pyeith
Bo’nn Vaeithh
Basaan ouss Buss Vaenn Buss Vaenn
Din Thhuff Anna Daanun
Tchoechi Tukran Nienn
Pananiss aaliss
Huthh Teintaalis
Kattie sa katti Khyokh
 Vuff  Traavikh  Khaetti  Beyi Aakaashus

Saniyasiss  ya  Gaavie Ta Hoonis
Tcharrie   Kaawan Kyaa Guvv Tcheil Faakaai
Yim  Kya Tchhaaraan
Yim Kathh Laaraan
Maetti Kehn vaenituvv
Myaani jalawatani ma zaanikh ,
Zonukh ma para tschyon gomut chhuss,
Gari kodmut chhus  ,

Me ti ma chhana vaen 
Hamdardi, atharot  taslaa masharaavun

( Avtar Mota )

My English translation is as under :-

(  Lesson  )

 A hermit stamped his foot at the door and shouted:

“ Alakh Niranjan …..The formless is unstained”

 He stopped for a moment, I collected my offerings,

Rice, edible oil, etc.

Recollecting some happening,

He gave a look and walked on.

 

Then came a bulky cow, in discomfort,

Dragging herself on four thin legs,

It looked, as if,

It would fall down the very next moment.

I kept 

A lump of cooked rice and two breads at a safe place.

 

The cow smelled, left them untouched and moved on.


 Thereafter came a dog,

 Wagging its tail, looking all around,

 Pushed this foodstuff with its toes,

Smelled it,

Wagging its tail,

Left it untouched

And moved ahead.

 

Then the sparrows and the crows flew over the door,

 Gliding down,

It looked as if,

They shall soon grab and snatch

The cooked rice and the bread crumbs,

 And carry these to their nest,

 To the tree top.

They did not.

They flew away,

Soaring higher and higher into the sky.

 

What happened to the hermit,

The cow,

The dog,

The sparrows

And the crows?

 

Why did they leave, hungry,

What were they searching for?

 Did they know that I am in exile?

Did they know I am an ill-fated person,

Banished from my motherland,

Condemned to live quietly after my life’s dreams

Were snatched away and traded by my tormentors.

 Should I, too, refuse any help,

Charity or sympathy henceforth?

 

( Avtar Mota )

 








                 
Creative Commons LicenseCHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.