Saturday, June 26, 2021

NATURE IS THE GREATEST ARTIST

These photographs show how great artist nature happens to be. In every aspect, nature is the greatest painter on this planet.

                                          



                                             











                                            


( Avtar Mota)

Creative Commons License
CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Wednesday, June 23, 2021

TWO FILM LYRICISTS: MAJROOH SULTANPURI AND ANAND. BAKSHI

                                          



MAJROOH SULTANPURI  AND ANAND BAKSHI..

( TWO POETS ... TWO SONGS )

MAJROOH  SULTANPURI 

Majrooh has written about 2000 odd songs for about 300 films. Unlike Sahir,  you confront two persons in this name ; Majrooh,  the serious Urdu poet and Majrooh,  the film song writer.   I know both  as I have read Majrooh the Urdu poet and heard some beautiful songs composed by Majrooh the film lyricist . From K.L. Saigal to Shah Rukh Khan, his songs  understood   the language of every generation. Through his songs , he  could convey  sensuality ,  dreams , passion. love and rejection. Majrooh didn’t allow age to touch his heart or  his art. 

Majrooh’s  song , "Chhupa lo yoon dil mein pyaar mera"  (Mamta, 1966) has always been my favourite .With Roshan’s soothing   and unforgettable music,  using Raag Yaman  , the song is still  there , always fresh , although it is about 55 years old now. This unusual love song  sung by Hemant Kumar  and  Lata Mangeshker and picturised on Ashok Kumar and Suchitra Sen,  aptly conveys the feelings of suchitra Sen and Ashok Kumar in the movie. If you are unable to show it to the world, hide your love  in your heart like the sacred flame burning inside  a temple  This flame  may  illuminate every dark recess of the heart . The song uses other religious motifs like the flower laid at the feet of the deity ,sacred ash that a devotee smears upon his forehead etc.  There is something special about the way the song attracts your attention . 

" Rahein na rahein hum,Mehka karenge" is another Roshan,Lata and Majrooh creation that remains my favourite.

ANAND BAKSHI 

Ananad Bakshi  must have written about 3500 film songs  . He worked with every singer , every composer and  almost every production house .Some people had issues with his songs but at a point of time , every alternate person in India used to sing songs that he penned. Anand Bakshi remains a good film lyricist .I have not read his non film poetry .
One song that remains my favourite is “ Kuchh to log Kahenge “ that Bakshi wrote for Amar Prem (1971 ) .Sung by Kishore Kumar and picturised on Rajesh Khanna and Sharmila Tagore, this song retains its popularity even when it is about 50 years old. That is the magic of R. D. Burman  , Kishore Kumar and Anand Bakshi . While the father ,  S. D. Burman was a minimalist, Pancham built his individual Identity by creating  a  music based on folk, jazz and Indian classical. R. D. was greatly influenced by Raag Khamaj. The song under discussion is also based on Khamaaj. In the song ‘ Kuchh To Log Kahenge ‘, the notes of Khamaj merge into Raag Kalavati.  R.D.  knew exactly which song to give to which singer. If he made  Asha Bhosle  sing'  Piya tu ab to aaja ' , he gave  'Raina beeti jaaye ' to Lata Ji. Both selections proved absolutely correct.

“People will say something or the other, it’s their business to talk,
Ignore it, lest the night ends in these useless things’

This is what Rajesh Khanna intends to convey to Sharmila Tagore through the song and succeeds in conveying that one should not be afraid of worldly ways and slander  when even Lord Rama’s wife ( Sita ) had to face it. Cogently , he also conveys that those who preach , seldom practice it.
"Hum bewafa hargiz na thay" is another R.D. ,Kishore and Anand Bakshi creation that  remains my  favourite..This song is also based on Raag Khamaj, R.D.'s favourite Raaga.


So Long so much ..

( Avtar Mota )


Creative Commons License
CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Sunday, June 20, 2021

NAMASTE.........THE BEAUTIFUL SENTIMENTS BEHIND A SMALL WORD....

                                          



NAMASTE.........THE BEAUTIFUL  SENTIMENTS BEHIND  A  SMALL  WORD....

The Merriam Webster dictionary defines Namaste as under:-

" The Sanskrit phrase namaste is formed from namaḥ, meaning “bow, obeisance, adoration,” and the enclitic pronoun te, meaning “to you.” The noun namaḥ, in turn, is a derivative of the verb namati, which means “(she or he) bends, bows."

About Namaste, Dr S.S.Tosahkhani, the well known Scholar says this:-

" The etymology of the word is simply ‘namas’ (नमस्), meaning bowing, salutation, obeisance + ‘te’ (ते) meaning ‘to you’. ‘Namas’ changes to ‘Namah’ (नम:) and ‘namo’ (नमो) in composition.  The word ‘namaste’ is not found in any Sanskrit dictionary because Namaskar is the standard form of salutation."

So , namaste literally means ‘I bow to you.’ However  ,there is a broader and divine meaning and interpretation of  the word Namaste.This interpretation comes from the Hindu belief that God resides in everyone. 

Accordingly to  B. K. S. Iyengar,

" Namaste is a sincere gesture from somewhere deep within  the soul. It is  acknowledgment of the soul in one by the soul in another."

The Upnishads say that the light within one  individual acknowledges the light present in another as both reflect the light of the same  supreme soul. Thus while Namaste  is a form of greeting, it is essentially  an acknowledgement of  the all pervading presence of  the supreme reality. A person saying Namaste also conveys to the other person that they are the parts of the same reality. Some scholars have also given below listed interpretations of Namaste:-

(1) I  bow to the place in you that is love, light, and joy.

(2)When you and I bow to our true nature, we are one.

(3) My soul recognizes your soul

(4) We are the same, we are one.

(5)  I honour the place in you that is the same as it is in me.

                                          


Sadhguru Jaggi  Vasudev says this :-

 " When you see a person, whether it is in your workplace, on the street, at home or anywhere else, the nature of human intellect is such that the moment it sees, it will make a judgment – “This is okay in that person, this is not okay in that person. He is good, he is not good, he is beautiful, he is ugly” – all kinds of things. You do not even have to consciously think all this. These assessments and judgments happen in a moment, and your judgments may be completely wrong because they all are coming from your past experiences of life. They will not allow you to experience something or someone the way they are right now, which is very important. If you want to work effectively in any field, if someone comes in front of you, it is most important to be able to grasp them the way they are right now. How they were yesterday does not matter. How they are this moment is important. 

The moment you place your hands together, and say namaskar ,  your dualities, your likes and dislikes, your cravings and aversions, are all leveled out because you recognize the source of creation within them. This is the intention behind doing Namaskar."


Both namaskar and  namaste have the same root word in Sanskrit: namas, which means “bowing or homage.” Namaskar is made up of the root words namas and kara, meaning “doing".


In the US, I observed that the religious and secular culture come together with the increasing use of  word Namaste.

Namaste...

(Avtar Mota)


Creative Commons License
CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Saturday, June 19, 2021

SIX OLD PHOTOGRAPHS OF KHEER BHAWANI SHRINE, TULAMULA, KASHMIR.

                                                

(A painting showing  Jyeshta Ashtami festivity at Kheer Bhawani Shrine ,Tulamula, Kashmir by William carpenter done in 1955or 1956)


( A painting showing  devotees  at Kheer Bhawani Shrine ,Tulamula, Kashmir by William carpenter done in 1955or 1956)
  ( An old photograph of the sacred spring at Tulamula )



       ( The above  photo  of sacred  spring was clicked in 1880 AD)

Kheer Bhavani is an ancient temple of Kashmir that falls in Ganderbal district and is located at a distance of  about 27 km from Srinagar city . It is dedicated to Ragnya Devi (form of Goddess Durga).  Goddess Ragnya is depicted in the form of a natural hexagonal spring that is adored by the devotees. The temple of Ragnya Devi is popularly known as Kheer Bhavani Temple, due to the fact that devotees offer 'Kheer' (Sweet dish made of milk) to the sacred spring. 

An annual festival is held at the temple on Jyeshta (May / June ) Ashtami day. On this day, devotees observe  a fast and gather at the temple to pay their homage to the goddess. It is believed that on this day, the spring water changes its colour with the blessings of the Goddess. The festival is concluded with 'Maha Yagna' to please Ragnya Devi.




( Avtar Mota)

.Creative Commons License
CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Thursday, June 17, 2021

SOME COMMON BHAJANS AND LEELAS. SUNG / RECITED BY KASHMIRI PANDITS...