VICTIMS OF GUNFIRE FROM ACROSS THE BORDER LEAVING THE LAND OF THEIR BIRTH ..
A SCLUPTURE OF
WELL KNOWN ARTIST RAVINDER JAMWAL DEPICTING
PLIGHT AND SUFFERING OF BORDER
MIGRANTS OF JAMMU.
To this sclupture , I add my kashmikri poem(“
Barmandhinien Gayee *Maagitch Maavuss “)This poem “ Barmandhinien Gayee
Maagitch Maavuss “ or “ The Noon Time Turned to a cold and Dark
Night of Maagha “is dedicated to the victims of Terrorism in the world. The
poem has been written specifically with reference to conditions of Kashmir
valley during 1990 when armed militancy erupted over there resulting in
wanton Deaths along with wide spread destruction of property and
infrastructure . Clouds of Gloom and
darkness covered the skies during this period putting all kashmiris to grave
miseries and sufferings . It also tore apart the fabric of peaceful
coexistence , shared past and composite culture . Kashmiri Pandits were left with no option but to run for safety and save
their lives and live as exiles in plains
of the country.
Part II
(“ January 19,1990 Part -II")
Da'zaavienni Gaejji
deut paan Duull Daarithh
Yelli Kraekh Gayii
" He Naar Haa Naar "
Pataa Pataa Paetch
Marghat Zchhaaya Aessi
Puthh Vuchhahuvv
Tuthh Maa maa Oss Vaar
Daeh Tchheitaa beyi
Kaaviejj Assuna Ouss
Dazvvun Ouss Shamshaanun Naar
Shraana Garrien
Hundh Ouss Yuunn Gatchhunna
Tobudhan Hundh Ou'ss
Bazaar ..
Neithhanon Thosukh
Kadala Taethiss Pyaeth
,
*Budshaah
Raa'za su Paalanhaar.
*Dhaan Kutchhii
Mutchie Munz Shroopp Ghar Deevta
Gueill Mooraan ,
Dumm Phaeitt Laatchaar ..
Astaaneitch Dashie Vuchhie Naalienn Munz
Tchhot'aa Deiruss
Pyath Aeiss Dastaar..
Buddie Kuthei Vuchh
Tchirniev Kienn Tammie Do'hh
Aangan Patchie
Barinein Hundh Naar ..
*Thokur Ku’thee
Gayii Kraekh " Kuss Traavithh
"
*Kaawa Patchienn
Pyaath Thhov Loktchaar ..
Sombrithh Haavus Burr Gayii Neerithh
Akh Log Laar Ta Akh
Log Daar ..
Gatkaaruss
Munz Zoov Roa'tt Motchhi Munz
Botchhi Ho'att Deut
Sheena Baalus Taar ..
( Avtar Mota )
My simple English
rendering of the lines goes as under …
“ January 19,1990, Part -II"
Throwing a pitcher full of water over it ,
We doused the kitchen fires
When cries of "FIRE! FIRE! " spread all around .
A Death shadow kept trailing us on paths
And Fright came in our way even to look back .
But for guffaws of the Crematorium Caretakers,
But for guffaws of the Crematorium Caretakers,
A smoky Silence prevailed all
over,
And endless burned the
fires in the Cremation Grounds .
Hectic remained the activity of Corpse Bathers ,
And Brisk was the business in the
Coffin Bazaar .
Naked ,They Dragged him down the Bridge,
He who happened to be Our protector ,
Our Beloved Sultan
Budshaah .
Shocked , Dumb and helpless ,
The Ghar Dewtaa ( Lord of the House )
Hid himself in a Big earthen Container
In the Paddy Store .
In the Filthy Drains outside ,
were thrown the Sacred strings
of the faith
hung in the shrines .
And On heaps of dust lay the
Headgears ( Dastaar) of the elders .
From the Chinks of the windows of the sitting room ,
We saw fires Blazing in the wooden fencing of our Courtard .
From the Pooja Rooms , The
idols Cried ,
"In whose care are you
leaving us ?"
And those sweet memories of
childhood ,
We placed on the shelf meant
for
offering kitchen food to Birds .
Ask not about those desires held close to the heart ,
Away went one in this
direction while the other moved in that .
Holding our lives in these palms
And Crying with Pangs of Hunger
,
We crossed the snowy Mountains
In total Darkness ..
( Avtar Mota )
PS
(1)
Ghar Dewta was a popular concept with kashmiri Pandits .
They would believe that every house was
protected by an omnipresent invisible
Dewta ( God ), who according to
the legend, would
always be supportive to the positive endeavors of the family.
(2) Sultan zain Ul
Abdin or fondly remembered as Budshaah or Great king by Kashmiris . He was the
most loved and adored king of kashmir. A liberal sultan , He is
known for popularizing Handicrafts , Trade and fine Arts in kashmir.
Kashmir witnessed an era of peace , progress and prosperity during his rule. He
was specifically compassionate to
Hindus who had moved out to plains due
to Fear and suppression during the rule
of earlier sultans.
(3) Every kashmiri
Pandit household had a wooden shelf kept
near kitchen window or at some convenient place on the outer wall of the house
where freshly cooked food was placed every morning for Crows and other birds . This wooden shelf was known as Kaawa
Paett ( Shelf for crows ).
(4) Thokur Ku’th or
Pooja Room was essential feature of a
typical kashmiri Pandit House . Age old idols , Images of Gods , Conch shell ,
Bells, lamps and sacred scriptures/ Books
were kept in this room. Every day the Head of the family would perform Pooja with Flowers. Earthen lamps with oil were lit and Incense was also burnt for
worshipping gods .
(5) Every
kashmiri’s ( Both Pandits and Muslims
) house especially in rural areas , had
a Dhaan Ku’th or a room meant for storing paddy after the harvest. This paddy was
stored in Big earthen container known as Dhaan Mae’tt. A normal person could
conveniently hide inside this Earthen container .
(6) Maagha is the
wintry month of Bikrami calender that corresponds to a period of Mid January to
Mid February .Similarly *
Based on a work at http:\\autarmota.blogspot.com\.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.