Friday, May 21, 2010

HAKH, HATAB, HEATER, KOSH AND STOVE 


                                                                         
                                    
( Boats carrying HAKH or  drifted wood at Kraalyaar Rainawari ..Photo..1920.. )

 

HAKH, HATAB, HEATER, KOSH AND STOVE 

 

 

 

                                

“Bobu Ji hukh chhuyi aamut. pataa mokali. Buthee chhuyee krooth vandhaa” 

 

( Pandit Ji, Hakh has arrived for sale. It shall be sold immediately. You have to face severe winters ahead.) , said Ali Mohammad Mattahaanz to my father.

 

 And we went to Kraalyaar Maar (canal ) and purchased about two quintals of Hakh for the ensuing winter season. Hakh consisted of pieces of drifted wood collected from rivers by boatmen and then brought to the city for sale in big boats called Bahetch. Hakh collected from Doderhaama near Ganderbal town from Sindh Nallah was marketed as special ‘Hakh’. It was used for burning in the kitchen hearth during winter. It made the kitchen warm when burnt in Dhaan ( kitchen hearth ) by our womenfolk. I would sit in the kitchen to have my food when my mother burnt Hakh for cooking. She would also burn a stick of willow or some other timber along with Hakh pieces. We used to get a good feeling upon seeing the Hakh burning in the kitchen. Quite often Hakh was mixed with dried cow dung and burnt in the Kitchen hearth.

 In extreme winters, we would come to the kitchen repeatedly to fill our Kangris ( braziers ) to keep our bodies warm. The kitchen turned cosy and warm with Hakh burning. Our ladies used to make charcoal from the burning Hakh or firewood in the kitchen. They would keep a Leijj ( earthen pot ) with a lid in the kitchen. Very skillfully, they would remove burning coal heaps from the kitchen hearth and throw them into the Leijj and then immediately keep the lid over it. The burning charcoal would cool down and the fuel so prepared would be used to make the afternoon or evening tea for the family on a small hearth called Haakol or sometimes for the Samovar ( traditional teakettle ). 

 

In so far as firewood was concerned, its procurement from the government timber depots spread all over the city was a tough job. You had to get up early in the morning and keep your Chendee ( timber consumption record book of each ) near the window of the Zeun Ghaat ( timber depot ) one over the other in proper order. Generally, milk-selling families supplied the labour force at these timber depots. A labourer would carry 100 -120 kg of timber log on his shoulders. Then he would suddenly throw the log with a bang in the courtyard making windows rattle. Thereafter the Tabardaar ( woodcutter ) would come and cut this log into pieces for ultimate use in the kitchen. We would then carry the pieces for storing them in a safe place. Hatab (timber from False Witch Hazel tree ) was preferred stuff by the Kashmiris. I vividly remember Kashmiris keeping a vigil on the arrival of Hatab at the timber depots to buy it. It produced quality heating fuel for the Kangris.

 

Electric heaters were also used in the kitchen as everyone stole power with the active connivance of the linemen or the meter readers. Every Kashmiri ( Pandit or Muslim) had some skill in this field. A direct wire hook on the main service line or bypassing the electric meter or making meters dead was a usual practice. Right from a petty trader to the top bureaucrat, power theft was relentlessly practised. The field staff in the electric department made extra income from this power theft. They facilitated this theft and provided all types of help to the consumers in this area. Stolen electric power was used for water boilers, room heaters, kitchen heaters and lighting. I never understood the mechanism adopted by electric revenue collectors. If one had outstanding dues of say three hundred rupees, one could settle it by paying one hundred rupees. The clerk would give a receipt for fifty rupees and keep fifty in his pocket while writing ‘ No Outstanding. All cleared ‘ in the electric record book of the consumer and also in the government records. Most of the consumers after stealing power resorted to this second theft in connivance with the employees of the electric department. 

 

Another fuel with Kashmiris was the sawdust popularly known as Kosh in Kashmiri. They would use it in Kangris and more specifically for boiling water to wash clothes. Every Sunday, we would use Kosh-damchoola (a special mobile hearth made of iron for burning sawdust ) for boiling water to wash clothes. It produced an irritating smoke. Sawdust was also used in Kangris. For bathing, we had a special Hamam made from galvanized iron sheets which used to give instant boiling water once firewood was burnt inside it. The wastage from the poplar logs sold by the band-saw mills was burnt in this Hamam. The wood used as fuel was called Mocha or leftover ( scrap ) by the band-saw mills where sawing of poplar tree logs was done.

 

 

Many families had kerosene stoves. My father had also purchased two kerosene stoves for our kitchen. In Rainawari, Triloki Nath Pandit whom everyone called ‘Treya Tsoor’ ( Treya the thief) and who reportedly had some criminal past in the plains of the country, had opened a stove repair shop in Jogilanker Chowk. His shop was near the police station, Rainawari just opposite the shop of Chuni Lal Watloo. Chuni Lal Watloo had a small chemist shop where Pandits would sit for gossip. These gossiping Pandits made Chuni Lal Watloo lose all his customers. When new chemist shops opened in Jogilanker Chowk, Chuni Lal Watloo shifted his activity to a more lucrative trade and started working as an agent of the police officials in the nearby police station. Any person who needed police assistance had to come to Chuni Lal Watloo's shop for direct or indirect help. Coming to Treya Pandit's stove repair shop, every time I went with our stove to him, he would just change the burner. He did it to all the kerosene stoves coming to him. For him, a change of the burner perhaps solved all problems of a stove. He did so even for minor blockages in the kerosene passage of the burners which could be easily cleared by a stove pin. Perhaps he knew nothing else and also it made him earn instantly. His customers paid without any argument. My father had also purchased a kerosene cooking stove that had a thick cotton strap wick. One could adjust the flame by raising or lowering the burning wick strap. This stove produced strange bang-like sounds at regular intervals when put to use. Hakh, heaters, electric boilers, electric room heaters, Hamams and Kangris would arrive in the market with the onset of the winter season. For procuring kerosene, one could see long queues. Kerosene was supplied through PDS ( public distribution system ) by the government. The LPG cylinder in the kitchen is a late story.

 

.

 

 

To conclude this write-up with lines from Padamshri Moti Lal Saqi’s Kashmiri poem.

 

"Koat gatchhukh subahai vaeni nai gaash ph'oll

 Naag joyi pyaath vothh na vaeni sandhyaai kaa'nh

 Masheidi mehraabus andher katiejun nendhar

 Dhaan dalas munz geill chha traavithh zeeth lar,

 Kulleiy laenjen sosaraai chenna vathharan gatchhaan

 Koat gatchhukh ?"………….Moti Lal Saqi

 

"Where shall you go so early? 

It is not daybreak as yet.

 None has yet come to perform *Sandhya at the water spring,

 Even the swallows are fast asleep inside the *Mehraab of the Mosque,

 In the paddy fields, *Gill birds are still in deep slumber.

 Leaves of the tree branches have not turned restless as yet,

 Where shall you go ?"

 

( Avtar Mota )

 

 

PS

 * Rudy-breasted crake is Gill in Kashmiri. It is like a house sparrow and black. Mostly seen around paddy fields. After harvest, it flies away from paddy fields.

 

*Sandhya is the daily religious ritual of Hindus performed at the time of two twilights or the opening and closing of the day. It is generally performed on river banks or springs or any other source of fresh water or even inside their dwellings. Sandhya was a ‘daily practice’ with elderly Kashmiri Pandits in the Kashmir valley.

 

*Mehrab is the decorative groove in the wall of a mosque, which marks the direction of the Qiblah. The traditional Mehrab is a common element of Islamic mosque architecture throughout the world. During the summer season, swallows would make nests inside mosques, temples and residential houses in Kashmir.

     



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Thursday, May 13, 2010

SOME SONGS OF MY CHILDHOOD

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“Come put your feet under my Pheran. I shall rub them . Do not use Kaangri ”

Said my maternal grandfather to me . I went to him complaining sudden redness and pain in one of my toes. He said “ Ye Chhuyee Shooh Gomutt. ” Meaning this is frostbite . With his rubbing , I felt  warmth and a little comfort. The pain turned mild . I heard him singing in kashmiri

“Bisht Bisht Braaryo
Khotakho Vunn .
Torraa kyaah Voluth
Babri Punn.
Su Kamunn Chhokuth
Kottarunn.”

I do not know when I slept and where the pain went . May be the  lines of the song had played their role effectively. This and many similar songs were meant for children . I was always amused when I heard some one singing them. Whenever I played with my Maternal cousins , we would sing

“Raaja Bhaai Raaja
Kyon Kotwaal
Srinagar Me Chor Aayaa
Kiss Raaste
Iss Raaste”

A cousin sister of mine would play with us and sing

Okuss Bokuss Tillwaien Tsokuss,
Onumm Batukh Lodhum Deghee,
Shawl Kich Kich Wangno.



I am certainly talking of a period when only some families had the privilege of having the radio sets or transistors . My Father had bought this luxury for us . Radio Ceylon with Amin Sayani as the announcer was quite popular. I still remember the advertisement for LOMA hair oil. Television was totally unheard of . We did remember many hindi songs but friends in school and my cousins would frequently sing the kashmiri children songs while at play. Money was a scarce commodity. The state government clerks would be offered a special selection grade on promotion satirically  still known as Rs 70-6-130.  we had a community radio set  in Jogi Lanker chowk . Generally people would come out and listen to news over there.  I remeber some boys in our locality singing

“Kaav Butt Kaavo
Khechri Kaavo

We had a teacher in DAV school Rainawari Radha krishen By name . He was Tall and would spend some time in his class on issues not connected with studies . He would ask two boys to get up and do “GUFTGU ”. The boys were supposed to curse each other in choicest words or call nick names . Entire class and the teacher would join them with  their sadistic smiles on this  so to say one act play .One day I heard Radah Krishen  saying

“Tsrind Grindumm Te Mong Daal

Okhun sahibuss Khatan Haal ”

I did not know the meaning of these words but they some how caught my fancy . later I heard many relatives also using these lines while playing with their children. The lines actually mean that a teacher( Okhun ) is generally poor . So When he performs circumcision of his child he just cooks Daal and ordinary food. No Mutton or lavish dishes .These songs had enormous effect on young minds  . Mothers would lull their babies to sleep with these songs. These were sung by children while playing . Elders would humour them with young kids. No Kashmiri  of my age  can say that he does not know them . Some other songs which we used to sing as children are


Habba kadal loraan
Zaina Kadal Ladhaan
Bisht Mouj vadhaan


Hop Lop Chhop Kurr
Mauj Gayee Greit bal,
Torra anni Saut Pull
Audd thaav Chunduss
Su Poshee Vanduss
Audd  Thaav Aaliss
su Poshee Reit kaaliss


In DAV school ,We had a class fellow whom we called Nikka Razdaan .He would sing Ladee Shaah . Here goes what he sang



LadeeShaah Ladeeshaah  Daari  Kin  Pyaav
Pyaavanai Pyaavanai  Haaptunn  Khyaav .
Budd  Mauj  Budd  Mauj  Kenh Nai  Guvv
Tse  tulum  Trum Tai  Baa  Tulai Nai
Vataan  vataav  Naavid  Khai
Bakshi  Sahib  Naavi  Munz  Saer  Karaan
Musaafir  Aayoss  Bataah  Mendiss
Chonch  Dhubb  Loynuss  khor Tendis .

Somtimes our neighbour Ritch Maal would come to our house and gossip with my mother . Once I heard her singing smilingly


Tul Paluvv Tul Paluvv
Voth Tseluvv Voth Tseluvv
Baani Haali Buth Chhaluvv.


My sisters studied in Vishwa Bharti college Rainawari. I vividly remember them saying that a person by name Sarva Nand had a shop in the college and many girls would tell him

Sarvananduss  Kokur  Chanduss
Vanduss  Karaan  kuk Du Koon.

These lines always created a desire in me to see Sarvanand Physically . Alas I could not

On shivratri day I would wait curiously to see my mother with  a pitcher full of walnuts (soaked in water ) on her head knocking our main door and singing

Thuk Thuk
Kuss Chhuvaa.
Raam Brorr
Kyaah Heuth
Anna Heuth
Dhann Heuth
Roozi Heuth
Rozgaar Heuth .
Ghar Heuth
Gupan Heuth
Nosh Heuth
Koor heuth
Munz  Kuss Chhuv
Shiv Naath Te Paarvati


So long so much .
visit me also at  http://yemberzalkashmir.blogspot.com/

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Monday, April 19, 2010

THREE VIEWS OF BOULEVARD SRINAGAR KASHMIR

        



Waqf e Hirmaan o Yaas Rehtaa Hai .
Dil Hai Aqsar Udhaas Rehtaa Hai .
Tum To Gham De Ke Bhool Jaate Ho ,
Mujh Ko Ehsaan ka Paas rehtaa Hai
( Faiz Ahmed Faiz )
                                                                          
Given away to  sorrow and despair ,
This heart often wilts away.
You come and offer pain and forget ,
i keep cherishing  this gift  of yours .
                                                                

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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
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Sunday, March 28, 2010

BEAUTIFUL MINI KASHMIR IN JAMMU PROVINCE KNOWN AS BHADERWAH


        

   

BHADERWAH:  A BEAUTIFUL MINI KASHMIR   IN JAMMU PROVINCE   OF J&K UT.

 ( Photos by Avtar Mota and D K Dogra )

"The happiest, prettiest country ever seen in the mountains."

 Sir G.T. Vigne, who toured this region in 1842 A.D., described Bhaderwah in these words.

 

“Jenab, this is Chhota Kashmir (Mini Kashmir). You can find Kouls, Mattoos, Rainas, Razdans, Zutishis and many other Kashmiri Pandits living peacefully for ages. You shall also find Zargars, Bandays, Nayaks, Misgars, Wanis, Bhats, Ahangars, Mirs and Dars amongst Kashmiri Muslims also living happily. Most of the Kashmiris living here have migrated from Kashmir in the middle of the nineteenth century from Anantnag district due to recurring famines and failure of the then rulers to come to the rescue of starving villagers.”  Said Ghulam Nabi Bhat met me near the Jamia Mosque in Bhaderwah town.

 Bhaderwah is also known as “Nagon ki bhoomi” or’‘Land of Serpents '.  The Bhaderwah Town (Nagar Bhaderwah) was known as Hettary Nagar, and before that, there were two other towns, namely Donga Nagar and Udho Nagar. Bhadarwah was ruled by the "Naga Dynasty”. The powerful Kingdom of Bhadu Bilawar also existed in nearby hills, and its rulers conquered and annexed the states of Bhaderwah and Basohli to their Kingdom. Prince Radhak was given the state of Bhaderwah, and he ruled it, calling himself Raja Lakshmi Dev. He shifted his capital to Bhaderwah proper, called Nagar. The last king of this dynasty was "Pahar Chand".

During the rule of Maharaja Ghulab Singh, Bhaderwah became a part of the J&K State.  When Maharaja Partap Singh was crowned, Bhaderwah was given as "Jageer" to his younger brother Raja Amar Singh.

Bhaderwah is known as Chhota Kashmir (Mini Kashmir) in Jammu and Kashmir State. It is a beautiful valley with hills of Kishtawar in its north, Chamba (HP) in its east, the Basholi area of Jammu near River Ravi in its south and the Chenani area of Udhampur district in its west. One can safely call this place the queen of the hills. Perched at a height of about 5300 feet from sea level and surrounded by snow-clad hills with Deodar forests on all sides, this area has a unique history and culture. You find Kashmiri Pandits , Kashmiri speaking Muslims , Gaddis , Thakkars ,  Wazirs , Kotwals , Parihars , Chib Rajputs and Manhas Rajputs , Khatris from Punjab , Mahajans and Bhaderwahi speaking locals of other tribes and castes living in peace and harmony . One can safely call it a melting pot of many cultures and civilisations.

   To reach this valley, one has to take a right turn on the Jammu-Srinagar highway near Batote and go all along the River Chenab upstream to reach Doda. Doda is about 60 km from Batote. The Baglihar Hydro-electric Project has submerged a vast area of Doda district into the Chenab waters. Even the Pul-Doda market has also submerged along with the old bridge on the River Chenab at Doda. This dam has given depth to the Chenab from Baglihar upstream and made it silent. One could hear a lot of noise near the Chenab banks before the construction of the dam reservoir of Baglihaar. Surely depth does bring silence. At Doda, Neeru stream coming from the Bhaderwah hills joins the mighty Chenab. So, another right turn at Doda and about 30 km in the upstream direction of Neeru lies Bhaderwah. It just resembles the Pahalgam valley of Kashmir. The temperature during summer ranges between 18 and 30 degrees centigrade, making it climatically more pleasant than Srinagar. Its bewitching beauty enthrals any visitor.

 The construction of residential houses in Bhaderwah is done in the Kashmiri style of architecture. The Dubs, dark alleys, gossiping men on roads, butcher shops, Kadam vegetable, Pherans, Kashmiri bakery shops,  Azaan and Vedic Mantras from loudspeakers during morning hours make every Kashmiri visitor feel as if he is at some place in his motherland. Newly constructed mosques bear the minaret and the dome architecture, but the older ones seen all over the district bear a close resemblance to the Kashmiri style architecture.

Naga Worship

The religious landscape of early Kashmir, as reflected in the Nilamata Purana, demonstrates the centrality of Naga cults within the region’s sacred geography, also extending to Kishtawar and Bhaderwah. The text not only documents ritual practices but also integrates indigenous serpent traditions into a broader Brahmanical cosmological framework. In Shloka 633, Vasuki is described as:

नागराजो वासुकिस्तु पापहारकः |
कश्मीरमण्डलमध्यस्थः सर्वसिद्धिप्रदायकः ||”

(“Vasuki, the king of the Nagas, is the remover of sins;

Abiding in the centre of Kashmir,

 He is the bestower of all attainments.”)

The verse characterises Vasuki as the king of the Nagas (nāgarāja), the remover of sins (pāpahārakaḥ), and the bestower of all attainments (sarva-siddhi-pradāyakaḥ), situated at the centre of the Kashmiri mandala. This theological positioning suggests more than devotional reverence; it reflects a process of sacral territorialisation in which the landscape itself is mythically structured around Naga authority. The attribution of salvific and beneficent powers to Vasuki indicates the assimilation of earlier serpent veneration into an increasingly systematised religious discourse.

The continuity of this tradition is observable in the cultic practices associated with the Vasuki Nag Temple in Bhaderwah. The Vasuki Nag Temple in Bhaderwah (Doda district, Jammu and Kashmir, India) is an ancient Hindu shrine dedicated to Vasuki, the king of Nagas and a significant figure in Naga worship traditions. The temple enshrines black-stone idols of Vasuki Nag and Raja Jamute Vahan, believed to be sculpted in ancient times and standing without visible support at a steep angle, a remarkable feature admired for both its artistry and mystery. The temple’s ritual calendar, particularly its annual fair, preserves localised narratives that sustain Vasuki’s identity as guardian and patron of the region. While the textual tradition presents a cosmological and symbolic framework, the living practices at Bhaderwah illustrate how Naga devotion operates at the intersection of mythology, regional identity, and communal memory.

Historically, the Chenab Valley (including Bhaderwah) has been culturally connected with Kashmir through shared Naga worship traditions, similar ritual patterns and pilgrimage practices, overlapping mythic geography tied to Himalayan sacred landscapes

Naga cults were not confined strictly to the Kashmir Valley; they extended across adjacent hill regions. The Bhaderwah shrine appears to preserve this broader Himalayan serpent tradition. Although Bhaderwah lies in the Jammu region today, it has historically interacted with Kashmir culturally and religiously. The survival of Vasuki worship there suggests continuity of a larger Kashmiri Naga religious sphere rather than an isolated local cult.

 The annual Kailash Kund Yatra is a festival joined by Hindus and Muslims. The ancient Vasuki Nag Temple, Guptganga Temple, Chandi Mata Temple, Jamia Mosque and Gatha Mosque are largely frequented religious places. The black stone single-piece images in Vasuki Nag Temple were covered by cloth when I visited, and the Purohit informed me that the same would be opened for public Darshan after Baisakhi day. A three-day-long Mela Patt is also celebrated every year to commemorate the historic meeting between Emperor Akbar and Raja Nagpal of Bhaderwah. Some time in the 16th century, Raja Nagpal is reported to have gone to Delhi to meet the emperor. This festival is devoted to Lord Vasuki Nath, the presiding deity of Bhaderwah. It is organised on the conclusion of the Kailash Yatra. Wearing colourful clothes, people dance to the tunes. The traditional Dakhu dance is a special attraction of this Mela.

                                                                 

“Kyaa saa Vaarai chhukha ”

(  Are you OK in Kashmiri)

“ Pandit Ji salaam ”

“Bee Shaa ji ”

(  Sit down, please, in Bhaderwahi  )

“Kodi Ghaano ”

(Where are you going in Bhaderwahi)

You hear these words most frequently while moving in the Bazar. They are Kashmiri and Bhaderwaahi words. Bhaderwah has been an important town on the old Shawl Route of Kashmir. This shawl route means Srinagar – Anantnag – Daksum – Kishtwar – Bhaderwah – Sarthal-Basholi -Chamba, and other Kingdoms of Himachal Pradesh. Kashmiri shawls and craftsmen have travelled from this route to Chamba and Basholi in the early 18th and 19th centuries. The Basholi area of Kathua district had a long relationship with Kashmir. Some painters of Pahari Miniature were Kashmiri Pandits. I quote Dr M S Randhawa, eminent Art historian:-

"This family of Razdan or Raina Brahmins were responsible for the introduction of one of the most romantic movements in fine art in almost all the principalities of Jasrota, Basohli, Guler, Jummu, Chamba, Noorpur and Kangra. Pandit Shiv Raina and his sons, Manak and Nainsukh, the master painters of Pahari Miniature, were in fact Kashmiri fugitive Brahmins."

 The rulers of Basholi had Kashmiri Pandits as their Raj Purohits. I happened to know one Razdan family that owned large agricultural land in and around the Basholi town. Prakash Rani Razdan MLC was from the Razdan family of Basholi, and her ancestors were Purohits and painters in the Basholi Darbar. She was from Lahore and was known for her aristocratic lifestyle. She enjoyed horse riding and pan chewing. I came to know many forgotten links of Basholi and Kashmir during my stay in this area as manager of our bank’s branch. Pashmina shawl industry flourishes in Basholi town to this day. Even the Rajas of Jasrota (Kathua) had Kashmiri craftsmen (shawl

It was a pleasant surprise to see that people in Bhaderwah use Kangri in winters. The Muslims of Kashmiri ancestry in Bhaderwah use Rabab and Nott (Matka) in singing Chhakri in Challant style popularised by Ghulam Nabi Doolwal of Dool (Kishtawar). Bhaderwahi is the major spoken language of the area. People still remember the late Prof Saproo, Principal of Bhaderwah Degree College, with reverence and regard for the spread of education in this area. Strange but true, away from Kashmir, you are in Kashmir. Tourist potential areas of this region are:-

Seoj and Kailash

Jai valley-sabardhar

Sonbain-Guldanda-chatergala

Padri Gali-Bhal Padri

Bhaderwah town and periphery ) 



                                                                         
                                         


    (A view of Seri Bazaar Bhaderwah during the Annual Chandi Mata Yatra.. Photo .D. K.Dogra )
                                                    

                                             (Dussehra in Bhaderwah.Photo D K Dogra)
                                                                            


        
                                                
 






                                                                                                 

                             ( Final site of Kailash Yatra ... Photo Dharam Kant Dogra ) A three-day-long 
                                                                  
                                 ( Mela Patt  Bhaderwah .. Photo Dharam Kant Dogra )

                                  
                                                ( Mela Patt  Bhaderwah .. Photo Dharam Kant Dogra )                                               


                                   
                                  

                                                 

                                                                               




                         

A motorable road has now been completed to connect Bhaderwah with Basholi. A bridge on the river Ravi at Basholi has connected this area with Pathankote. The Kishtawar- Bhaderwah road has been operational for the last 50 years. A road also links Kishtwar with Anantnag now (Via Simthan pass) . Thus, this area now comes on the alternate connectivity to Kashmir via Pathankote. That opens the floodgates of tourism for this area. This position qualifies Bha

People in Bhaderwah town are generally well educated. Most of them are teachers (in colleges, schools and universities), doctors, lawyers and engineers. Bhaderwah has a degree college in the town, imparting quality education since the early fifties of the last century. The University of Jammu has also established an off-site campus at Bhaderwah.  Kashmiri culture and language are widespread in the entire Doda and adjoining Kishtwar districts of the state. Bhaderwah is to be developed as a Gateway to the State’s Tourism.

 And then Abdul Qudoos Rasa Javidani (1901-1979), an eminent poet from this area, wrote his poems both in Urdu and the Kashmiri language. Rasa belonged to a family which had migrated from the village of Kadipora in Anantnag (Kashmir) to Bhadarwah. I end this post with lines from a beautiful Gazal of this poet. This Gazal has been sung soulfully by the well-known Kashmiri singer Raj Begum Sahiba.

“Masharaavthhuss janaana Tche Kurr yaad Peymoy Baa,

Chhukh Az wafaa begaan Tche Kurr Yaad Peymoy Baa.

Raadhaaiy Jigruss Kaan Taarith Baal maarith Guvv,

Goopaal Krishen Kaanhaa Tse Kurr Yaad Peymoy Baa.”..( Rasa javidaani )

 

(Love! Willfully, you forgot me!

When shall you remember me?

Why are you so noncommittal to my love?

When shall you remember me?

Piercing arrow in Radha’s tender heart,

You move playfully away.

O Gopala! O Krishna !O Kaanhaa !

When shall   you  remember me !)


 ( Avtar Mota )


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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
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