Tuesday, September 6, 2016

NAIDYAR AREA OF RAINAWARI SRINAGAR KASHMIR


                                                                           
  
                   ( House of Dr Ghulam Nabi  Hakim close to Naidyar bridge.)
 (NAIDYAAR AREA OF RAINAWARI IN SRINAGAR CITY ..)

             On one side of the Naidyar canal, we had tall and shady Chinar trees of the  D.A.V. School,  Rainawari. There was an old bridge over the canal near the  D.A.V. School. This canal connects Dal lake with Nigeen lake. When we were students of the D.A.V. School, we would see frequent water transport on this canal. Tourists in Shikaras going to Nigeen from Dal lake or vice versa and children bathing in canal waters smiling and crying at foreign tourists  ‘ Meemi Salaam Pataa Pataa Ghulam’. V S Naipaul passed through this area in a Shikara. This area is mentioned in his Book ‘ An Area Of Darkness ’

What is the origin of word Naidyaar?

Dr Shashi Shekhar Toshkhani ( scholar, linguist and poet ) clarifies:- "


"  Naavid’ or Naaid,  there are several words in contemporary Kashmiri speech that exist in more than one form. One such word is ‘Naavid’. It is derived from Sanskrit "Naapita", meaning ‘barber’, (medial 'p changing to 'v', as happens typically in Prakrit). It also occurs in the form of ‘Naayid’. The two forms denote two different stages of development from the Sanskrit original. It may be noted that ‘Naayid’, which represents the later stage, is quite akin to Hindi ‘Naai ’, which is also derived from Sanskrit ‘Naapita’. This makes Kashmiri an important subject for study in the Indian linguistic context, as pointed out by George  Buhler who has also chosen to give ‘Naavid’ and ‘Naaid’ as one of the examples to illustrate his point.’

So the name has been derived from word Naavid meaning barber in Kashmiri.

You would always see vegetable sellers in boats, boats with school-going children, boats with weeds brought from Dal lake and boats with sick brought from Dal area to doctors in Rainawari. This was a common scene of traffic on  Naidyar canal. During the daytime, the canal was busy and full of life. It had so many temples and mosques and  Ziarats on either side of its banks. So many Ghats that were used by people for bathing, Wuzu and Sandhya before these turned filthy and contaminated. Rations sold to the public under PDS was stored in big boats ( locally known as Bahetch ) parked along the banks of the canal.  Sometimes, you could see some film unit from Mumbai shooting a movie in Rainawari backwaters. However,  such incidents turned rare after the seventies of the last century as shooting locations were shifted to Mughal gardens, Dal lake, Gulmarg, Aaroo, Sonamarg, Pahalgam and  Nigeen lake etc.

                                            
( House of Kauls also known as Telis near Naidyar bridge )
                                           


 And sometimes you would see a dead body being carried in a boat to cremation ground located inside backwaters. Sometimes you would see a doctor sitting in the middle of a roofless boat being carried to see some serious patient by his relatives. Sometimes you would see a boat being used to collect bedding and utensils for some marriage function. Quite often a Doonga would pass by with a group of young men on a picnic. You would also hear Chhakri and Kashmiri Sufiana music being loudly played inside by some folk singers or artists.

So many handicrafts traders had set up their shops or business establishments along the canal banks. I remember some reliable exporters with names such as Ghulam Hassan And Sons, Arcson Arts, AR Chaku And Sons, Mir Handicrafts and G N Chaku And Sons etc. Ajaz, my class fellow in the D.A.V. School was from the family of Ghulam Hassan And Sons ( walnut wood carvers ).

 For the handicraft shops located in the backwaters of Dal lake or  Rainawari, business and buyers were brought through a well-established commission system. Apart from taxi drivers, beneficiaries of this commission were the houseboat owners, tourist guides and Shikara-owners.

                                       
 There used to be stories and complaints as well; Ring Shawl cloth or semi Pashmina sold as pure Pashmina, staple thread carpets sold as pure silk carpets, Moradabadi wood carving sold as Kashmir walnut wood carving, painted wood sold as papier mache and fake saffron prepared in Nawapora locality sold as pure Mogra saffron to tourists. This was generally done by roaming boat or Shikara vendors who sold handicrafts to tourists.
Now and then some houseboat would move on this canal. The bigger houseboats were unable to pass under the not so high Naidyar bridge. There was a risk of houseboat getting damaged. Accordingly, the houseboat owner would come to our school and request school authorities for help.  The boys from some free class would be made to walk into the houseboat so that it sank a little in canal waters. That made it to pass under the Naidyar bridge. This was the time when boys would slip into houseboat's kitchen area and look for biscuits, jam, bread and fruits while the owner and his family were busy in pulling the houseboat from below the bridge.

 I remember Telis, Chowdhris (Dr R.L. Chowdry), Kitroos, Dr Ghulam Nabi Hakim, and Kauls lived across the canal opposite the  D.A.V. School.  The Hindus and the Muslims jointly celebrated annual Urs of Saint Miyan Shah Sahib. His Ziarat was close by. There used to be a  small Shiva Temple close to Naidyar bridge that had a south Indian Sadhu as the caretaker.

On the other side of the canal, close to the D.A.V. School, you had Mallas, Handoos (Dr Ramjoo Handoo), Shairs(  Mohd Abdullah Shair), Dalkaws, Wanis and the house of Sardar Thakur Singh. Pandit Saligram Kaul, known for his honesty and integrity, lived close by. This Gandhian Pandit fined his own family for misuse of drinking water when he saw his wife watering the family kitchen garden with a pipe that brought water from their P.H.E. connection.





                                             ( A View of Nigeen lake .. Photo  Avtar Mota )
                                                                             
                                      ( A View of Dal  lake .. Photo  Avtar Mota )


                                               
                                          (Naidyar Bridge..A water Colour by DN Walli Artist)
                                              

                                                                 
                    ( BACKWATERS  OF DAL LAKE  NEAR  RAINAWARI  1953 )
       ( OLD PHOTOGRAPH OF NAIDYAR BRIDGE APPEARING IN LIFE MAGAZINE )
                                                                       
                     ( OLD PHOTOGRAPH OF NAIDYAR BRIDGE 1940 )
                                                                       
                                       ( PHOTOGRAPH OF NAIDYAR BRIDGE  )
                                 ( LATEST  PHOTOGRAPH OF NAIDYAR BRIDGE  )
       
                         ( BACKWATERS  OF DAL LAKE  NEAR  RAINAWARI )
                                   
           ( Temple Ghat near Naidyar bridge )
                                       
                                           

  ( Karapora Ghaat ,Naidyaar , Rainawari ..Photo:Raman Raina)
                                         

(Approaching Naidyaar  . Photo..Raman Raina)
                                          
             ( Teli house near Naidyar bridge)
      ( While going up Naidyar bridge )

We used to row a boat right up to Nehru Park from Chowdhary Bagh Naidyar. Swim in the  Dal lake, carry our food along, enjoy fresh air, steal some ripe tomatoes and cucumbers grown in the backwaters. Quite often, a surprise discovery of duck eggs on some small landmass in the lake waters was a bonus.
Sometimes we would walk on foot to Nishat garden from Naidyar via the Dal lake’s inner embankment that connected Rainawari with Nishat garden. Sometimes a bicycle was used to go to Nishat from Rainawari from this path.
I did my Higher Secondary( IIIrd year ) final from the D. A. V.  School, Rainawari before going to SP College. Never have I seen a teacher like Shri Dina Nath Hanjura in my  
. Gandhian, unbiased, compassionate and disciplinarian. He could teach you mathematics, history, geography, political science, philosophy, literature, drama and above all English grammar. When we left school, he was the principal. Later, he moved to England to live with his son.

Sh. Hanjura would also introduce Ghalib, Kabir, Wordsworth and Mehjoor to his students..

 I vividly remember school Chowkidar  Shri Mohd Sidiq and his son Lateef who played football with us and would always cry  ‘ Running ’ while playing with the ball. There used to another gentle soul in the school who was fondly named as Moma by us. He was Ghulam Mohammed our school peon
 I  conclude this write up with my favourite lines of poet Munir Niazi:-

Ye ajnabi si manzilein aur raftagaan ki yaad
Tanhaaiyon ka zahar hai aur hum hain doston

Aankhon mein urr rahi  hai lutti mehfilon ki dhool
Ibrat sarai-deher hai, aur hum hain doston

Phirte hain misal-e-muaj hawa shehar shehar mein,
Aawaargi ki lehar hai aur hum hain doston..



My English rendering would be …….

The present unfamiliar destinations and the memory of misplaced friends,
The poison of loneliness is what we live with now, dear friends……

These eyes carry the hurting dust of that robbery,
The robbed circle of friends!
This ruined Serai of existence has only repentance now, dear friends.

In city after city, we move like the whiff of air,
vagrant and wanderer has turned our existence now, dear Friends ...


(Avtar Mota)



CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
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MANGOES FROM MULTAN


                                                                    


                                                                             

             

MANGOES FROM MULTAN  IN JAMMU.


This year I found lesser Chausa, Langra, Sindhri and Dussehri Mango Varities in the Market over here. Dussehri arrived late but had pests.So didn't have some good mango sessions.

And suddenly post Mid August , I find Mangoes from Multan in Jammu market.What is sold on Reddis is grade 3 variety of Famous Anwar Rataul mango from Multan. Not so good..you get this variety for 110 rupees a kg.Some traders sell grade 2 variety for 160 a kg. Good and tasty. Cut it to pieces. It has Pulp .It is sweet and juicy.I am told that grade1 goes to Europe and middle east.

It is said that this mango actually belongs to Meerut area. One Anwar Siddiqui from Meerut is reported to have carried these saplings to Pakistan in 1947.He is reported to have done extensive plantation in his orchard and later many orchardists also planted Rataul variety in Multan.This mango came to be known as Anwar Rataul for this reason only..

For me nothing like our Malihaabadi Dussehri Mango .But Let me add that grade 2 Anwar Rataul ( currently available in Jammu ) is equally good.


This is unlike the Hate Rhetoric , pain and suffering that State and Non State actors over there are pushing usually to this side of the Border..

Welcome to the sweet commodity sent by ordinary Trader and Common man from across the border...

Welcome to peace , goodwill and Bilateral Trade..

(Autar Mota)


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THE CINEMA OF ABBAS KIAROSTAMI


                                                                                   



                   

"I feel like a tree. A tree doesn't feel a duty to start doing something about the earth from which it comes. A tree just has to bear fruit, and leaves and blossoms. It doesn't feel grateful to the earth."    
(Abbas Kiarostami )
              


ABBAS KIAROSTAMI ( 1940-2016 )
International media failed to report his death prominently. He died in a Paris hospital . It is reported that he did not get proper /correct Medical advice and treatment for his Intestinal bleeding . The family and friends hold doctors responsible for his death .
His death created a void in world cinema.In an Interview  published in Guardian , an Oscar winning film Director from Iran said   :
"He changed the world’s cinema; he freshened it and humanised it in contrast with Hollywood’s rough version.He was a man of life, who enjoyed living and made films in praise of life – that’s why it’s so difficult to come to terms with his death.”

He deserved some space in our media as well.

He was Abbas Kiarostami ( June 1940— July 2016 ) . Abbas was liberal by conviction and a warm and optimistic human being .He would say:
" Religion works on some people but not on everyone, Because it says" Stop thinking and accept what I tell you" That is not valid for people who want to think and reflect."

A Photographer , Poet, Painter , Graphic Designer , Translator and an acclaimed Film Maker from Iran.I remain highly impressed by his work. By work I mean photographs , Books and Poems. I have read reviews of his films In  some international Newspapers and Magazines  . Brilliant and impressive.

His photo Exhibition titled “Walls and Door “ ( Based on his Photo clicks over two decades in Iran, Italy, France, and Morocco ) was covered by many leading Newspapers of the world. The record for the highest-priced photograph from the Middle East belongs to Kiarostami ; over $100,000 in Christie’s , making him the most expensive photographer in the region.

He was Satyajit Ray or Akira Kurosawa of Iran. Akira Kurosawa  once commented on the resemblance between Ray And Kiarostami:
"When Satyajit Ray died, I was quite depressed, but after watching Kiarostami’s films, I thought that God had found the right person to take his place”.
Abbas was fluent in French .He did some beautiful translations from French to Persian.He was a lover of Satyajit Ray’s Cinema .He loved western classical music especially composers like Mozart and Beethoven which got reflected when he produced Mozart's opera, “Così fan tutte “.

In his films , he used mystic facets and eastern spirituality also apart from using Dialogues laced with poetry of Omar Khayyám or modern Persian poets such as Sohrab Sepehri and Forough Farrokhzad.

Abbas was involved with 40 films. He was a screen writer , director , producer , Dialogue writer , Film Editor and Art Director .CLOSE UP , WIND WILL CARRY US , LIFE AND NOTHING MORE , TASTE OF CHERRY,WHERE IS THE FRIEND'S HOME?, UNDER THE OLIVE TREES, CERTIFIED COPY, and THE JOURNEY are some notable and critically acclaimed films of Abbas . He worked with Hollywood actors  , International Film makers and directed some finest Operas .

He was well known for using a child as Protagonist in his films.He would also use good poetry in his film dialogues apart from adding landscape shots liberally.

Many awards came his way, Many Books were written on his cinema and the techniques he employed . . “Men At Work - Cinematic Lessons from Abbas Kiarostami “by Sani Mehmoud Reza and “The Cinema of Abbas Kiarostami by Alberto Elena are considered as master pieces that define his cinema.
He wrote more than 30 books covering Cinema Techniques , Poetry, Translation and fiction .

Kiarostami  had constant trouble with censorship in Iran, yet he chose to stay back and present truth where it was much needed to be presented. Like a Tree , he stuck to his ground.I N an interview Abbas said:
“When you take a tree that is rooted in the ground, and transfer it from one place to another, the tree will no longer bear fruit. And if it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree.”
One is amazed to to see how Kiarostami was able to work profusely and free-spiritedly within some what inflexible socio- political limitations imposed in his country .
About his films , Richard Brody( Well known American Film Critic and Journalist )writes
“His films are marked by two main figures of style—extended views of people travelling and working in alluring landscapes and streets, and extended views of people talking in cars. His images of landscapes are among the most ecstatic and rapturous ever filmed, and he patiently observes his characters moving through them with a determination that’s as existentially committed as it is gracefully choreographic. For Kiarostami, cars are private places in public, crucial intersections of personal space with the random impingement of happenstance—and of political power, as it inhabits the very substance of ordinary people’s ways of living, talking, and thinking.”
   In July 2016 , A prominent News paper wrote :
"Despite the global attention on his work, Kiarostami did not receive official support in Iran, where his movies were rarely screened.Some at the memorial service held posters that said “First Welcome, Last Farewell" -- a reference to the lack of official attention he received in Iran "


SOME  STILLS  FROM KIAROSTAMI  FILMS 

He would often say that a director must have capacity to see beyond the visible ...

                                                           



SOME  PHOTO CLICKS OF THE MASTER  





            kIAROSTAMI  would also say that still photography is the mother of cinema .                                                              


I end this post with his sample poetry written iñ Japanese Haiku style with cinematic sensibilities .These brief Poems appear in his Book “ A Wolf Lying in wait”..

A red dotted line on the white snow
wounded game
limping away.
**
The full moon
reflected in water,
the water
contained in the bowl,
and the thirsty man
deep in sleep.
**
Moonlight
shining on a narrow path
that I won't take.
**
What a pity
I was not a good host
for the snowflake
that settled on my eyelid.
**
White colt
red to his knees
after gamboling
in a field of poppies.
**
Morning is white,
evening is black,
a gray sorrow
in between.
**
A wolf
lying in wait.
**
Flight
is the reward of a caterpillar
that wrapped itself
in a cocoon of silk.
**
A whirlwind
toppled
the shepherd's boiling kettle
set up on top of a hill.
**
The smell of smoke
the smell of burning rue
the sound of a baby crying
An adobe hut.
**
A young moon
an old wine
a new friend.
An apple fell from the tree
and I thought of
the apple's attraction."


So Long so much on this master .

( Avtar Mota )

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SOME MALAYAM WORDS OR SENTENCES THAT I PICKED UP ON MY VISIT TO KERALA IN JANUARY 2016


                                                                    

IN KOCHI ( COCHIN ) MARKET..2016
( Photo Avtar Mota )

Some Malyalam words and sentences that i picked up while visiting  Kerala  in January 2016...



kantathil- santhosham..Su- prbatham
(Happy to meet you... Good Morning ..).


Ningal Malayalam samsārikkumo?
(Do You speak Malyalam ?)


O kureshsha
( Yes , A Little ...)

Abhinandanangal
( congratulations)


( Avtar Mota )
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GURUDEV TAGORE AND ALBERT EINSTEIN .


                                                                           
                                                                                              


TWO GREAT MINDS ....GURUDEV TAGORE AND EINSTEIN ..ORIENT AND OCCIDENT.....ONE LOOKING TOWARDS MOTHER EARTH AND CREATION WHILE THE OTHER LOOKING INTO TIME AND SPACE. BOTH JOURNEYING TOWARDS VASTNESS. BOTH EXPLORING POSSIBILITIES OF HUMAN HAPPINESS.

Imagination is more important than knowledge.
( Albert Einstein)


“The highest education is that which does not merely give us information, but makes our life in harmony with all existence”
(Rabindranath Tagore)

( aUTAR mOTA )

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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.