AKHTAR MOHI UD DIN , A CRAFTY SHORT STORY WRITER FROM KASHMIR

                                                                     

In 1980, this author worked as a teller in the bank and was posted at  Lal Chowk, Amira Kadal branch.  Those were the days when customers would be mostly dealt by tellers through personalised service. They never felt the need to go to supervisors or the manager sitting behind them. The tellers were the face of the bank in terms of polite and personalised service

One such customer who would come straight to this author or to Roshan Lal Haku (another teller) was the well-known Kashmiri short story writer Akhtar Mohi ud din. He was always in a hurry and would say something that would make us happy for many days. A dialogue, a brief story, a Kashmiri proverb or some personal anecdote. We would offer him tea while he stood talking. He drank it partly, talked, collected his payment and would leave saying' Lassiv ' (May you live long). No other colleague in the bank knew who he was. This author always felt that he was a sincere and open-hearted person.

“My real name is Ghulam Mohiuddin Wani. We actually belong to the village Frisal, Pulwama. My father married in the city and shifted to Batmaloo. I spent my childhood and youth in Batmaloo. I studied in Islamia School, Maisuma, National School and S P College. “

“How can I repay the debt to Som Nath Zutshi’s wife, a goddess and for me, a real sister in need. Do you know she single-handedly did all the post-delivery care of my wife once? Do you understand the word 'Phott' in Kashmiri? It means post-delivery care . Where in this life can this debt be repaid?”

“I remain ever grateful to Prof Jay Lal Kaul for encouraging me to write in Kashmiri. In fact, when I started writing, he arranged a reading session in S P College for me and treated me like a great writer. From him, I also learnt a lot. A gem of a person who has a great command of English and Kashmiri.  ”

“Amongst friends, Shamim Ahmed Shamim always wanted me to write in Urdu. He was very happy when my Urdu story was published in English translation in the New York Herald Tribune and also awarded second prize in this short story competition. Shamim is a reliable friend who thinks much ahead of his time. He is very sharp. You have just to tell him the contours of any issue, and he will come back to you with all the details. And amongst politicians, the late Sadiq Sahib was a real connoisseur of literature.”

“I regard Krishen Chander as a great writer. His stories and style are definitely a class apart. But when it comes to writing stories based on Kashmir, he has not done justice. He only talks about the hills, valleys, beautiful women and romance. He never lived in Kashmiri society. He never wrote on issues connected with Kashmiri society as such.We have  similar issues and social problems   that one comes across  in various other  societies in the Northern or the Southern parts of the country.”

“Is Shambu Nath  Ji  ( Late S N Kaul from Bandipora Kashmir  was a saintly officer in the bank ) fine?  Convey my Namsakar to him. I am in a hurry this time else would have gone up to meet him.”

 
So would Akhtar Mohi ud din say to us.

Even after transfer and promotion from the Amira Kadal branch, this author met Akhtar Mohi ud din in some functions. three or four times last being possibly in 1988.  Thereafter, the tragic events in the Kashmir valley made things altogether different. We had to leave Kashmir due to widespread terrorism. The struggle for survival in the heat and dust of the plains of the country put art and literature into the non-priority zone for some time.  And then one day in 2001, when I was posted in Amritsar city, we came to know about his death from a newspaper. Kashmiri language shall not get another crafty story writer like Akhtar Mohi ud din.

.I had been reading his short stories since my college days. I always liked his narration and realistic representation of situations and characters.His stories probably evolved from his own surroundings. These stories carry the feel and throb of the living style of ordinary people in the Kashmiri society. Read him in original Kashmiri or translation, he leaves an impression. My friend Jaswant Singh Saggu from Jalandhar is a great admirer of Akhtar Mohi ud din’s short stories. Once he discussed “THE MAD WORLD  ” a superb story by Akhtar Mohi ud din which he had read in English translation.I suggested him to read stories like 'Daryaayi Hund Yezaar ( Red Silk  Salwar )  and ' Dand Vazun ' available in  English translation. SathhSangar (Seven Mountain Peaks) and Sonzal (Rainbow) are two books that contain most of his well-known short stories published in 1955 and 1958 respectively. Sath Sangar won him the prestigious Sahitya Akademi Award in 1958. He was amongst the founders of the Progressive Writers Association in Kashmir. His experimentation with new style and form is visible in some stories like 'Lassu Valdi Mahmood '( Lassu son of Mahmood ),  'Aadam Chhu Ajeeb Zaat' ( Man is a strange creature ) and 'Gaahe Taaf ta Gaahe shuhul'  ( Sometimes sunshine and sometimes Shade ). Aadam Chhu Ajeeb Zaat was also rewritten as a play for Radio Kashmir. ‘Doad Dhag '(Sorrow and Pain) written in 1957, was his first attempt to write a Kashmiri Novel. Many critics call it a love and lust story woven essentially around three characters Fatima, Raja and Abdul Gani,  a Munshi with Shamas ud din  A Namda trader. But Prof . Jay Lal Kaul clarifies:-

“This novel is a painful reflection of the society that we live in. Reading it makes you together sad and happy apart from sharpening your social consciousness.”

Akhtar Mohi ud din wrote another Kashmiri novel 'Zuvv Ta Zolaan ' which was also well received in Kashmir’s literary circles Some time back, MIRAAS, a literary magazine published in English from  New Delhi, carried  Akhtar Mohi ud din’s short story “THE   HOURI OF PARADISE ” ably translated into English by Prof Neerja Mattoo. Like Prof Jay Lal Kaul, her translations are also simple and appropriate. Akhtar Mohiuddin figures as a prominent story writer of India in the following books:-

(1)    (1)  ‘Encyclopaedic Dictionary on Asian Novels and Novelists ‘ by R P Malhotra

(2)    (2) ‘Our  Favourite Indian Stories’ by Neelam Kumar and Khushwant Singh

(Avtar Mota)

 PS

This write-up is based on Akhtar Mohiuddin’s  work and creative output till 1990.

CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.