Roshanara Begum ( 1917-1982 )
“ Our New Generation is talented but
they are in extreme Hurry to sing in concerts or come to Stage . “
Roshanara
Begum.
She was born
and brought up at Calcutta in a family that was originally from Bihar. Her real
name was Wahidunnissa. Her mother Chanda Begum was also a well-known singer.
Laddan khan the famous Sarangi player from Calcutta was her first teacher .To
learn music, She moved to Bombay to live with her father’s sister ( Asmat Begum
herself a singer ) .
While in
Bombay , she married a Police officer ( Chaudhary Ahmed Khan , A Punjabi Muslim who happened to be Deputy
commissioner of Police ) . After marriage , she moved to live in a
spacious Bunglow some time in early thirties of the last century . She sang for
AIR ‘s Bombay station and came to be known as Bombay Wali Roshanara.
While in
Bombay , her singing attracted the attention of Ustad Abdul Karim Khan Sahib . He brought her to Kirana Gharaana
and polished her voice and style. He adopted her as his daughter though Hirabai
Barodakar (1905-1989) was his real
daughter . Ustaad always said that he had three daughters ( Sarswati Devi and
Suresh Babu were other children of Ustaad Abdul Karim Khan sahib ) .
While under
the tutelage of the great Ustaad , She sang for Radio and Films for which Khan
sahib had no objection. She also sang in Private concerts .
Roshanara
Begum was short, dark and fat . She was
not beautiful . But the moment she sang , she was majestic , queenly. Dignified
and stunning . Her beauty lay in her exceptional and gifted voice that defined
her Grand personality . Her unassuming nature, naturalness and calmness added
to her tallness as an artist. That is
why she earned the title of ‘Malika-e-Mauseeqi’ .
Her
renditions in Shankara, Shuddh Kalyan,
Basant ,Marubihag .Kedara and especially Darbari Raaga were awe-inspiring
that even perplexed Ustaad Bade Ghulam
Ali Khan sahib , Malika e Tarranum Noor Jahaan and Allah Rakha Sahib ( Renowned
Tabla player ) . As a vocalist, Melody remained the most vital attribute of
her singing . She had an exceptional deftness and command
over Raagas.
Alongwith her husband ,She migrated to
Pakistan in 1948 but Kept Visiting
India for Musical concerts.
Towards the
end of her life she felt lonely . Her
Music also faced the wrath of the then
rulers . It was the time when General Zia-ul-Haq ruled the country and
musicians of all kinds were badly affected by the denial of proper space on Radio and Television .
Away from
Lahore , in a sleepy town of Lalmusa ( Her Husband belonged to this Town ) ,
this great singer died a lonely death in the company of some birds , cats and
Puppies that she kept as pets. She died issue less.
Her Thumris
, Dadras , Gazals , songs and other forms of Vocal music is a sub-continental
Treasure . It lives for the posterity and innumerable Admirers of this Grand
singer .
Her Music
Mehfils had real connoisseurs . Quite often people threw flowers at her while
she sang. She loved wearing saris . She hated Air Travel.
And dear
readers , at your convenience, at least listen her :-
(1) Dolay Re
Mun Holay Holay
(2) Jamuna
ke Teer (Thumri originally sung by Abdul Karim Khan sahib)
(3) Piya bin
Nahin Aavat Chain (thumri)
(4) Idhar
Barq e Tapaan Rakh di
So Long , so
Much On Roshanara Begum………
( Autar Mota
)
Based on a work at http:\\autarmota.blogspot.com\.
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