Sunday, July 3, 2016

HINDI FILM GANGA JAMUNA , ACTRESS VAIJAYANTHIMALA AND THE SONG " JHANAN GHUNGAR BAAJE "


                                       

                             (Nitin Bose )
                   ( Naushad and Shakeel)               



GANGA JAMUNA  AND THE  BEAUTIFUL SONG..... “ HO  RE HO RE  ....JHANAN   GHUNGHAR   BAAJE”  

   I have been requested to write on some  song of  1961 superhit movie Ganga Jamuna. Fine,  And here lies all that  i have written...

Ganga Jamuna was an evergreen  classic film written and produced by actor  Dilip Kumar and directed by Nitin Bose .Nitin Bose(1897_1986)  was a great Cinematographer, Director and script writer from New Theatres Kolkata who later moved to Mumbai and  worked at  Bombay Talkies and Filmistan. Nitin had worked with Gurudev Tagore and taught cinema techniques to Satyajit Ray.

 Ganga -Jamuna  was the finest cocktail of  rustic comedy, romance, tragedy and villainy  .Its success lay in its powerful  storyline and the magic of Shakeel- Naushad Combo. Dances of Vaijayanthimala coupled with unsurpassable acting of Dilip Kumar  ensured  its record success at box office  . 

Infact Dilip Kumar's matchless acting   in this film inspired  so many actors including Amitabh Bachan. I believe Amitabh copied the thespian at one place in his superhit movie'  Do Anjaane.

Ganga Jamuna   was a trendsetter for some  Amitabh  Bachan films like  like “Deewaar”, “Trishul” and “Amar Akbar Anthony” 

I need to say few words  about Vijayanthimala as well. 

She was the only child  of Tamil actress and dancer Vasundhara Devi.Her father was also connected with Tamil cinema. She was a trained Bhartanatyam dancer and an impressive actress. She pioneered classical dance in Hindi  cinema. After her, so many actresses had to learn and perform classical dance sequences in films. To quote we  had Waheeda Rehman, Hema Malini, Rekha and Sridevi ; great dancers and equally talented actresses.

Was there a serious affair between  Vijayanthimala and Raj Kapoor that blossomed during the shooting of SANGAM ? She denies it all in her autobiography 'Bonding' . She married Raj Kapoor's personal physician Dr  Chaman Lal Bali . At a point of time , she had perfect bonding, chemistry and intimacy with Dilip Kumar. Every dress that she used in Ganga Jamuna was selected by Dilip Kumar. She denies this intimacy as well  in her autobiography.

Ganga Jamuna  received rave reviews when screened in Boston film festival. It was equally  liked by Russians.

While the songs like “Insaf ki dagar pe” (Hemant Kumar), ' Dagabaaj tori  ( Lata Mangeshkar) " , " O chhaliya re chhaliya re(Mohd Rafi and Aasha Bhonsle)  " , “Nain lad jai re” (Rafi), “Dhoondo dhoondo re sajna” and “Do hanson ka joda” (Lata Mangeshkar) are immortal favourites, My choice for this post  shall  be   “Jhanan Ghunghar  Baaje “ .

“  Bade Bhai  ! Iss dhun Ko Suno. Iss mein Intezaar Ka rang Bhar Do . Kuchhh Madhur Madhur sa Geet Likh Do “. That is what Naushad  told   lyricist  Shakeel Badayuni  when he was made to listen the tune that the musician had already prepared for a song to be used in  Ganga Jamuna .

 And Shakeel wrote  “Ho re ho  re ..jhanan ghungar baaje “

 I don't know why i   love the lilting tune and lyrics of this great composition.

 This song has  been picturized on graceful Vaijayanthimala  in  the backdrop of Gangaram (Dilip Kumar)  being set to freedom.The song has been  sung to perfection by Lata ji .Again the soft  Chhum Chhum of the Paayal (Anklet)  has been perfectly used by Naushad in this tune  . While dancing on this song , Vaijayanthimala  displays the feelings of a woman in wait. Waiting for her beloved to arrive . The flight of the birds in the open sky that is getting free from clouds  , the openness of the earth   and Vijayanthimala's  overflowing  love  fervor has been beautifully captured by Nitin Bose  in this song . 

The  song was picturized as group dance wherein carefree  Dhanno ( Vaijayanthimala ) dances in the lead and looks forward  for  an early return of her  Ganga  ( Dilip Kumar ).  In the entire dance , she puts forth a charismatic smile . With  delicate body movements, she daces on a scenic  location  with hills and  covers  good distances with her steps. She  is playful , happy and certain that her Ganga  shall come home . Her  movements  are simply celestial , supple and elegant. She looks like a dazzling Apsara in her dress and  agile dance steps.

Her expressions on words “ Aa Jaa Re  O Sajnaa …..” are superb ..Just watch the song . A real delight and joyful  appeal from a heart  in wait … And She leaps forward in happiness  playing with her chunri or head scarf.

The film faced some problems with censors .Dilip Kumar was saddened  . He met his unusual fan  and well wisher Morarji Desai and pleaded .

“ I have tried to  get  the best from everybody who was involved in the project . We have not shown anything that should become a point to raise the  finger .”

Dilip  Kumar informs :
 “ I ran around even after it was over to get passed by the censors. After six months, it was at the intervention of Morarjibhai Desai that it finally saw the light of the day. To make a picture, you have to be a businessman, sign Hundies, and take loans at vicious rates of interest. That's why I have never had the gumption to produce a film on my own again.”
  Dilip Kumar did 6 movies with this amazing classical dancer cum actress  from south India . 

 To conclude , i add some  lines from this beautiful song..

" Baiyaan Pakad Chhede Mohe sakhiyaan Mori 
Binati karein Laajon Bhari Akhiyaan Mori
Pug pug chhalke...
 Mun Ki Madira
Sanan Sanan Dole Pawan 
Badra Ghumar Naache 
Mora mun  jhume  piya, 
tori dagar chume piya 
Aaja Ghar aaja
Aaja re, 
Ho re ho re......
Jhanan Ghunghar baaje "

( Shakeel Badayuni )

“Holding my Hand ,
My friends poke fun at  me now .
My shy eyes too make a submission to you .
With every step that I take  ,
 the Joyful wine that this heart has stored for you,
Just overflows and goes waste .. 
And restless  goes the wind ,
The clouds over the sky move rapidly 
As if  presenting a  Ghoomar dance  ..
Nothing can put my heart to restraint,
In joy, i dance ,
I kiss  the path you are likely to take on your return.
So Love , 
Come home now ,
The Anklet bells tinkle  in welcome music,
Love , 
Come this way now ….”

( Avtar Mota )


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