DEVENDRA SATYARTHI ( 1908-2003) RECITING HIS POETRY IN PUNJABI KAVI DARBAAR
HELD AT DELHI YEAR 1957...
DEVENDRA SATYARTHI ( 1908-2003)
Devendra Satyarthi was a renowned
Punjabi scholar , writer, translator and a poet who also wrote in Urdu, Hindi
and English . He belonged to the generation of, and was friends with, Saadat
Hasan Manto, Krishna Sobti, Gurbaksh Singh Preetlari, Mohan Singh, Ismat
Chugtai, Rajinder Singh Bedi, and Nanak Singh.
A folklorist , Satyarthi earned many
friends in literary circles of Jammu and Kashmir . Though a family man , he
lived a roaming and carefree life , collecting folklores and folk songs for his
write ups and books.
(Devendra Satyarthi with friends inside the office of 'Aaj Kal ' , a govt of India publication.You can see Sahir, Jagan Nath Azad, Josh Malihabaadi, Balwant Singh, Majaz and Jaan Nisar Akhtar )
Once
he wrote :
‘ Money means nothing to me .I have
travelled all over India mostly on foot and sometimes in trains without ticket
as I look like a Sadhu.I have managed to survive. In this process, I have
collected about 2.5 lakh folk songs . Some people call me a poet and some call
me a folk song collector . My wife calls me a vagabond and a gypsy . And to
that extent , she is right . My 75 books are based on translations of folk
songs of the country.’
He also worked on Kashmiri folklore
and songs . Impressed by the language , lyrical strength and imagery of
Mehjoor’s poetry , he carried these poems to Gurudev Rabindra Nath Tagore who
in turn was equally impressed . In fact Satyarthi is the person who exposed
Mehjoor to the world outside Peer-Panjal hills.
About Mehjoor, Satyarthi wrote :
‘ Mehjooor’s poetry is full of
life’s passion, brotherhood, love and hope for the oppressed. Mehjoor has
a broad vision of life.’
Classified as an Important archival document, the manuscript of his work "Kashmir Literature and Folk
Songs" is in the safe custody of British Library, UK in its Asian and
African section of manuscripts.
Satyarthi was a lover of Kashmir’s
natural beauty but its poverty pained him. This aspect is reflected in some
stories, essays and poems composed by him. About him, his friends wrote that
he never bothered about money or status in life. He even refused to receive any royalty for his radio talks, books or work. A detachment from
Money and comforts was the hallmark of his simple life style. He was ignorant about how many
books, essays and stories he wrote.
He kept meeting the humblest of
Indians, middle-class people, petty traders, poor farmers, tribals and the influential
too in various fields. In this process, he befriended so many. He also earned
the friendship of some great men like Gurudev Rabindra Nath Tagore and Mahatma
Gandhi. Gurudev Advised him to write in Punjabi only.
In his later years, he had a regret
for not being responsible towards his family while his wife earned for the
family's survival through a sewing machine.He told his close friends:
‘I wasn't there when my daughter
Kavita was born, and I wasn't there when she died. It is a burden that will
lighten only with my death, but when you are afflicted with a Junoon, this is
what happens.’
In 1977, the Government of India awarded
him with a Padma Shri. He was loved by numerous friends and admirers across the
border.
Pancham, a monthly magazine
published from Lahore, brought out a 300-page special issue on him in April
2003.His life has been documented in a biography, Satyarthi – Ik Dant-Katha,
written by Nirmal Arpan. A small tribute to his monumental work on Punjabi
folklore.
( Avtar Mota )
PS
In his comments to my
Facebook Post on Devendra Satyarthi , Amir
Saulat Jafri write
“ Ijaz Batalvi
writer/lawyer wrote that once he and his brother , somewhere in late 1930s at
Laxmi chowk lahore looking for a tonga to go to Mela chiraghan . They saw a
young man who was stopping people and asking for something. Soon, he came to
them also and said to them if they could answer one question of his, and that
it is so important that his life depended upon it's answer. If that question
was not answered that day , to his satisfaction, he would commit suicide. He
looked disturbed and disheveled. They wanted to help him, so they forgot their Mela chraghaan and tried to figure out what to do about such a question. The
question was " What is the meaning of Life?" Finally they thought it
would be best to take him to Allama Iqbal, who then lived near about there.
Allama's house was always open for everybody. They went and took this young man
with them. Allama sahib said to him that it would be okay to go along with the
suicide if only the young man could convince him that it would benefit him.
Then he asked what was his belief system about life after death, to which the
man said it was reincarnation. So Allama sahib said that there were three possibilities. Either his life would be a
better one than the present, worse, or about the same as then. Was the young
man, Allama sahib asked, absolutely sure if his next life would be better. The
young man said he was not sure at all. Then Allama sahib said that it would be
a total waste for him to end his life. This convinced the man. That young man
was Davinder Satyaarthi................. .. Manto's Afsaana ,( short story),
"Tarraqui Pasand" is also based on Satyaarthi's visit to Rajinder Singh
Bedi"s tiny two bed room govt.
house and his stay there , which affected RSB's family life when DS stayed
there. DS bored RSB ad Nausem, day in and day out by reading out stories he had
written”
( Autar Mota )
CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.Based on a work at http:\\autarmota.blogspot.com\.
I have dug out a 1935 article by
ReplyDeletehere at SearchKashmir
Seen.Excellent.
Deletehttp://www.searchkashmir.org/2013/12/ever-new-kashmir-prof-devendra.html
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