( TWO WATER COLOURS SHOWING MAAR CANAL KASHMIR
DONE IN 1854 BY WILLIAM CARPENTER )
WILLIAM CARPENTER (1818-1899 )
William Carpenter ( 1818-1899 ) was a Visual artist from England who travelled extensively in India . He also visited Kashmir possibly three times during summers of 1853 , 1854 and 1855 AD . He stayed in India for about 7 years and kept himself busy in travel and paining .
WILLIAM CARPENTER was a master in drawing Water colour
Landscapes . His water colours show life in Amritsar city , Devotees inside
Golden Temple , Bazaars of Delhi , Benares Ghats ,Mosques , Forts , Rural life
of India , Sadhus , Meditating men, Jain Temples , Forts of Rajasthaan ,Havelis
, Jama Masjid of Delhi , Portraits of Indian rulers ,Jharokhas and so many
other scenes and structures that relate to India . The Victoria and Albert
Museum bought over 280 of his paintings. His water colours are being exhibited
in various galleries world over .
In 1853 ,he made a Doonga trip to Kheer Bhawani shrine via Nalla Maar and drew some
fantastic landscapes . He also visted
various shrines of Kashmir including
Makhdoom Sahib’s Ziyarat at hari Parbat and painted its inside view . I add his water colours ( two ) showing morning scene
at Kheer Bhawani shrine Tulamula with kashmiri Pandits taking a bath( before
entering the Sanctum sanctorum ) and therafter sitting inside the shrine under Chinar Trees .The paintings have beeen done in 1853.
And now his water colour ( done in 1855 ) showing inside view of Ziyarat of Makhdoom Sahib in srinagar city.
And below lies his water colour ( done in 1854 ) of Shah e Hamdaan Mosque in Downtown Sringar city ..
And a water colour of Beautiful Nigeen Lake of Kashmir done by the Artist in 1855
Below Uploaded painting done by William Carpenter is titled "MOTHER AND CHILD JHELUM RIVER, CASHMERE 1854" .
Looking at this picture I observe that the artist has painted Mother and child belonging to the hardworking Haanji ( Boatmen ) community of Kashmir. The Hairstyle and Kasaba ( Headscarf ) worn by the woman is typical and belongs to this community . The child is in tatters but carefree and innocent . The mother and the child are holding Oars and the mother is possibly teaching the child to paddle the boat at NUMM position . Kalhana calls this hardworking community of kashmir as NISHADAS . Both mother and the child are Pensive. God alone knows what the future has stored for them . I would name the painting as INNOCENCE OF POVERTY .
Then there is another painting done again in 1855 that shows the Market of Zaina kadal in Down town srinagar .
I have seen many old photographs of this market . It was exacatly like this. Pulses especially MOONG grown in north kashmir ( Baramulla Belt ) were largely sold by kashmiri traders . The structures on the river bank were made of wood . Fresh vegetables ( Bulk ) ,Rice (mushkabudej, Zag etc. ), and pickle was also sold by local traders in this market . Fresh Fish , dried Fish ( Hoggaad ) and smoked Fish ( Furrie ) was sold at nearby Gaankhan in a lane that came to be known as Gaadda Kocha Zaina kadal . This was the biggest market for local produce . You can see Pickle kept in earthen pitchers on roof tops of these rickety shops . A voguvv ( Dry weed mat ) has been used as a sunshade by a shopkeeper .
The painting uploaded below shows Second Bridge of srinagar or what is presently known as Habba Kadal.
The painting uploaded below shows Second Bridge of srinagar or what is presently known as Habba Kadal.
The water colour depicts a busy market on the bridge . A market of Rickety wooden structures that sold vegetables , fish , rice , and of course Pickle . Pickle has been kept in earthen pitchers over the rooftops of these shops . This was a retail market and not like the Zaina Kadal Wholesale market . Shah Hamdaan shrine is also visible from below the bridge . The poverty of the shirtless Boatman is starkly visible. .
Another water colour uploaded below depicts inside view of Shah e Hamdaan Shrine near fateh Kadal srinagar .
This water colour has been done in 1855 by William Carpenter . It depicts inside view of Shah e Hamdaan shrine In srinagar .You can see the kashmiri dress ; A Pheran , Dastaar and Kheish ( Chadder ) of the devotees who are engaged in Duroodkhwaani . The elegant Velvet and silken cloth sheets cover the Ceilings and walls inside the shrine. Locally produced ( Handlooms ) Velvet and silk cloth was extensively used by Kashmiris to decorate their shrines within. Even Kashmiri Merchants introduced Velvet to Baghdad during the rule of Harun al-Rashid .
William carpenter has also painted Mughal Gardens . His water colour depicting Nishat Garden is a visual treat ..
Besides general views of Kashmir valley and its lakes, William carpenter painted Shah Hamadan’s shrine , Kheer Bhawani shrine , Makhdoom sahib ‘s shrine , old-fashioned wooden houses , streets of Srinagar, Bridges across the Jhelum River , Scenes around Mar canal, Kashmiri women and Nautch girls. He also visited and painted Lalitaditya’s Sun Temple at Martand in south Kashmir . He met Shaikh Imam-ud Din ,the Sikh Governor of Kashmir, who had been dethroned by Maharaja Ghulab singh. He painted beautiful Portraits of The Maharaja and Sheikh Imam Ud Din.
( Portrait of Maharaja Ghulab singh painted by William Carpenter )
( Kashmiri Nautch Girls painted by William Carpenter )
In 1881 he held his solo exhibtion in England , displaying about 280 Water colours done in India . After this Exhibition all his paintings were purchased by Victoria Allbert Museum England where they are on display presently .
William Carpenter was a bachelor .His mother Mrs Margret carpenter was also a Portrait Artist .
Water colour tradition is not New ; It had a glorious past with some Grand Masters creating wonders ...
Rekhtay ke tum hi ustaad nahin ho "Ghalib "
Kehtay hain aglay zamaane mein koyee Mir bhi thhaa.....
( AUTAR MOTA 30.07.2014 )
CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.
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