Wednesday, January 22, 2025

THE UNFORGETTABLE MARIO MIRANDA

                                              




A Visit to Mario Miranda's Gallery in Calangute Goa.                                         

               ( Outside Mario Miranda Gallery )

In my youth, I would see cartoons of R K Laxman, Shankar( K Shankar Pillai )  and Mario Miranda ( 1926-2011). I could easily relate to Mario's observations, humour and caricaturing. Mario was born in 1926 in Daman, then a Portuguese enclave, in a Goan Roman Catholic family of Saraswat Brahmin ( Sardesai ) ancestry . His family was part of the local aristocracy as senior government officials and the senior Miranda was the Administrator of Daman. Consequently, the young lad imbibed the best of two cultures - that of distant Portugal and the Indigenous Goan ethos and this rare multi-cultural empathy is more than evident in his later work. Mario didn't formally study Art but began his career as a cartoonist for the Times of India Group in 1953. Later, he moved into illustration and fine art. A friend of  Shyam Benegal, Gopi Gajwani, Satish Gujral, Manohar Malgaonkar, Dom Mores, Vinod Mehta, Gerard da Cunha,  Marcellus Baptista, Charles  Correa, Behram Contractor, Khushwant Singh and many more, his name and fame spread from Kashmir to Kerela after Khushwant Singh brought him to The    Illustrated Weekly of India that he edited. Although he drew cartoons based on urban life, his creative output always remained the essence of Goan life with its vibrant images of markets, beaches, and everybody's busy and hectic life.

                                      












Mario's warm-hearted, often comic drawings of local characters and culture helped to popularise his native state, both across India and overseas. Besides cartooning, Mario has done murals on various buildings in Goa and other parts of the country, taking to painting, as he did, in the later years of life.

The Mario Gallery and Museum in Calangute and some other places in Goa sell and display his work. His house in the quiet village of Loutolim in South Goa is also a museum. It is roughly 10 kilometres from Margao and about 35 kilometres from Panaji. Mario's family house mirrors the traditional surroundings of Mario Miranda’s art. From the  Calangute gallery, one can buy prints of his work printed bags, wall plates,  coasters, prints on crockery, prints on tiles, prints on T-shirts and other items with prints of his work.  This is a family-managed business. A lesson for some artists to broaden their reach. Art can be made affordable and transferred to the middle class in this way as well.I bought some books of Mario, some prints and clicked photographs after due permission from the gallery manager. From his Paris drawings,   I could easily relate to Mario's sketches of Cafe de Flore, Shakespeare And Co, Pompidou Centre and Seine River ferries, the spots/ places that were visited by me in 2023. I could also relate to his wonderful sketches of Manhattan,  New York.

                                       





                                          





Among his most admired sketches,  one can include;  Man at the Corner, A Bachelor Apartment, Mangeshi Temple, The Village Bus, Strange Heaviness, and 'Street In Fountainhas'. Mario's cartoons like Miss Fonseca(A modern woman who works in an advertising agency), Bundaldass   (A minister) , Rajani Nimbupani (A Bollywood star)and Khushwant Singh Drinking became immensely popular after he drew them. He also authored books like Goa with Love, A Little World of Humour, Sketch Book and Germany in Wintertime. Besides his books, he illustrated books penned by  Dom Moraes ("A Journey to Goa"), Manohar Malgaonkar ("Inside Goa"), Mario Cabral de Sa ("Legends of Goa"), children's books authored by Uma Anand like "Dul-Dul", "The Magic Clay Horse", "The Long-tailed Langoor" and "The Adventures of Pilla the Pup".

                                      









In south Mumbai's famous Mondegar Cafe, Mario was commissioned to paint murals which adorn the cafe's walls even today. His calendars, year-planners for various publications, private and government organisations, illustrated diaries and books continue to be treasured possessions.

                                       






Though the artists’ community did not consider Mario to be one of them, it did not affect his creative urges, which found expressions in colour, pen-and-ink and charcoal. His range of styles, and command over different mediums, made him a bit of an enigma. Some believe, that though Mario gained huge popularity during his lifetime, his true genius is yet to be recognised.

An avid traveller and music lover, Mario married an artist, Habiba Hyderi. The couple has two sons: Rahul, a hairstylist in New York, and Rishad, a cartoonist based in Goa.

Like most cartoonists, Mario de Miranda appeared to be a serious, shy, no-nonsense but soft-spoken person to a first-time acquaintance but gradually warmed up. Among Mario's admirers, one can include JRD Tata, Pandit  Nehru, Indira Gandhi, Atal Bihari Vajpayee and IK Gujral. He travelled across continents. Mario was bestowed with several honours, including the Padma Shri, the Padma Bhushan and the Lifetime Achievement Award from the All India Cartoonist’s Association. He received a posthumous Padma Vibhushan in 2012, a few months after he passed away at the age of 85, he died peacefully in sleep. As per his wish, the mortal remains of Mario Miranda were consigned to the flames at a  Hindu crematorium at Pajifond in Margao in south Goa. Like her husband Mario, Habiba Miranda had also wished to be cremated. 

( Avtar Mota)

PS

Holidaying in Goa since the 15th of January 2025.


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Based on a work at http:\\autarmota.blogspot.com\.

Saturday, January 18, 2025

THE AAVAAGAMAN OF A FLOWER

                               


THE *AAVAAGAMAN OF A FLOWER 

 "O  Autumn ! you brought cold winds from the alien lands to the garden. Not to speak of the  trees and the flowers, even  the grass plants  started bowing  down with the weight of the morning dew or the thrashing  of your winds. Agreed, you succeeded in making me fall to dust and vanish but remember, 'we are flowers ; we are  reborn in every spring. " ....so said the flower to  the  autumn season  that brought  pain and suffering into the garden. ....

"Hamchu sabzeh bar baarha roedah-am" ...Jalal ud din Rumi 

"Like turf on the ground I am reborn and reborn after every death." 

( Avtar Mota)

PS
* In Hindu philosophy, Aavaagaman is the continuance of  the cycle of birth and death of human being untill the soul achives Moksha. It means transmigration also.


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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Wednesday, January 15, 2025

A COUPLET OF KASHMIRI POET DINA NATH NADIM



Well-known artist Trilok Kaul with poet   Dina Nath Nadim.

Assi kor   faasala   sezras   pazras
 rozav  naali- naal
Raatitch gatta Kaasith prath subahitch 
pravi soan isteqbaal…………….

( Dina Nath Nadim )

My English rendering 

After we  decided to ally with simplicity and truth ,
Every beam of morning’s   first light  ,
after tearing  apart night’s darkness ,
waits to  welcome  us ...

( Avtar Mota)

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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Tuesday, January 14, 2025

V R KHAJURIA : THE UNFORGETTABLE SCULPTOR

                                           




























VIDYA  RATAN  KHAJURIA (1934-1990)

He was the only artist in our state who could wield his brush, his pen and his chisel and hammer to create something memorable. Looking at his work, one can call him a phenomenon.I saw his Kashmir landscapes done in watercolour. I saw his self-portraits. I saw his sketches. I saw his sculptures. I also had a glimpse of his Survey and Documentation work on Art and Artists of J&K; everything was exceptional and unique. When the wife of Bhagwan Sahay the then Governor of J&K  approached Sankho Chaudhury to draw a portrait of her son, the master recommended Vidya Ratan Khajuria, his favourite student at  Baroda. 
His admirers Include Dr Karan Singh, Pt. Trilochan Datt, G M Sadiq, D P Dhar, Dr Tahir Mirza, Dr Naseer  and his wife Dr Girija Dhar, P N Kachru,  Apurb Som Nath , Sansar Chand Baru, Agha Ashraf Ali,G R Santosh, Bansi Parimu, Pt Shiv Kumar Sharma, composer T K Jalali  and many more. When he died, his friend Bansi Parimu wrote an emotional tribute which was published in the Kashmir Times. His work received critical reviews in many national and international magazines.

The tall and monumental statue of Bawa Jitto done by him and installed near Katra looks synonymous with   Kumarjeeva's ( Mahayana Buddhist teacher from Kashmir ) statue in front of the Kizil caves in the Kuqa valley of China.

To his friends, Vidya Ratan would often sing Kehri Singh Madhukar's Dogri song that conveys the intense need for friends, well-wishers and communication in life.

' Keep visiting. Keep meeting. These breaths are unreliable. This life is not to be taken for granted. We nourish hopes. We have desires. '

"Aoundhe jandhe rehna,
mildhey gildhey rehna
Iney sahain da ke parbhasa jindhey
Asain laggi de rehni hai asha jindhey
Aoundhe jandhe rehna,
mildhey gildhey rehna"

Know more about this maestro who died young due to liquor-induced liver cirrhosis. He finds a much-deserved place in my forthcoming book, " The Bright Stars of Foggy Nights" . He is there with some untold anecdotes and interesting stories. Others in the book include Prof Ved Kumari Gai, Prof T N Ganju, Sushama Sharma ( theatre artist from Jammu) , Bhushan Kaul( well-known modern artist ) ,  poet Vasudev Reh, Sardar Santokh Singh ( a pioneer signboard painter) , Noor Mohammad Kitab ( Munshi Nawal Kishore of Kashmir), Vijay Suri ( writer, actor and novelist ), Akhtar Mohiuddin, Farooq Nazki,  Makhan Lal Mahav, composer T K Jalali, Chaman Lal Hakhoo( novelist, writer, broadcaster and painter), Dr Girija Dhar, Som Nath Zutshi ( writer ) , Pran Nath Butt (  an unknown artist ) , Prof Jay Lal Kaul, Hari Kashmiri ( film industry ), Dr Saif Uddin din Kitchloo ( freedom fighter and hero of Jallianwala Bagh) and many more.  The book shall be available on Amazon and Flipkart worldwide around Shivratri.

( Avtar Mota)
PS
Photo source ...Kanchan Kumar Khajura son of the artist/ sculptor.



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K

Thursday, January 9, 2025

PANDIT DINA NATH HANJOORA

                                         


PANDIT  DINA NATH  HANJOORA ( Principal DAV Higher Secondary School ,Rainawari ) 

A Gandhian, honest to the core, a teacher who left his impression  on any and every person who came across him, Pandit Dina Nath Hanjoora served as outstanding teacher in almost  all districts of the Kashmir valley. Just mention his name and people start recalling him with gratitude and respect. After his retirement, he served as Principal DAV Higher Secondary School, Rainawari in the Kashmir valley.About him Mohammad Sayeed Malik, noted journalist wrote this on my Facebook Timeline :-

" OMG. Had been thirsting to see his picture. The best teacher I could ever think of. It was a privilege to have been his student from 8th to 10th class while Hanjoora Saheb was the headmaster of the then South Kashmir’s only private high school in Shopian(late 1940s to early 50s). I am yet to come across a more revered teacher as he was in South Kashmir. A simple living human being his proficiency, dedication and his outlook was enviable. His eldest son Dr Girdhari Lal Hanjoora is a doctor in the US. His another son’s name has slipped off my memory. Among his other students were Shamim Ahmed Shamim and Mohammed Yousuf Taing. We were contemporaries. Under his leadership, National High School Shopian earned laurels as its students did well in university exams. Matriculation was then a university level examination."

Similar sentiments were expressed by well known poet ,translator, author ,scholar and writer  Prof Shafi Shauq .We were lucky enough to have been his students for one complete year. He once said this to us in the classroom :

“A Flower needs help from the wind to spread its fragrance . Still it spreads in the direction of the wind only. The goodness of a person spreads in all directions without any support or help . Just be good ,the world reciprocates .” 

( Avtar Mota )



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Wednesday, January 1, 2025

BOOK ON PREM NATH DAR: WRITER, JOURNALIST, BROADCASTER AND BUREAUCRAT


                                     





                             BOOK REVIEW

 

PREM NATH DAR  (CREATIVITY AND RESILIENCE: THE JOURNEY)

By Jag Prakash Dar (Son of Prem Nath Dar)

Published by Notion Press Chennai

Price 480/=

Date of Publication 31st December 2024

Currently Available at

https://notionpress.com/read/prem-nath-dar-creativity-and-resilience-the-journey

(Shall be soon available on Amazon and Flipkart)


 Prem Nath Dar(Dhar) was a journalist, writer, bureaucrat, and broadcaster who remained close to a galaxy of politicians, writers, poets, journalists, broadcasters and stalwarts of the ‘Progressive Writers Association’ of the country. By the term’ galaxy ‘ I mean men like  Pandit Jawahar Lal Nehru, Sardar Patel, Maulana Azad, Sheikh Mohammad Abdullah, Bakshi Ghulam Mohammad, Krishen Chander, Sahir Ludhianavi, K A Abbas, Ali Sardar Jafri, Dr Mulkh Raj Anand, Josh Malihabadi, Ibadat Barelvi, Upendranath Ashq, Sayyad Ehtisham Hussain, Makhdoom Mohiuddin, Shamim Ahmed Shamim, Devendra Satyarthi, Arsh Malsiyani, Jagan Nath Azad, Sagar Nizami, and Rewati Sharan Sharma, Dina Nath Nadim and many more.

 Born at Badiyarbala ( 1914) in Srinagar city, he moved to Lahore much before the partition of the country where he shifted to Delhi. He married a Kashmiri girl Lalita Devi Bhat (name changed after marriage- Prem Pratima Dar) of Chaurasi Ghanta, Bazaar Sitaram, Delhi. The ancestors of Lalita Ji had migrated out from Kashmir during the Afghan rule. He made Delhi his Karambhoomi. In 1946, he formed the Delhi chapter of Halqa-e Arbab-e Zauq (Circle of the Men of Good Taste). Joining the Statesman and later the Hindustan Times as a journalist, he moved to AIR and rose to eminence in broadcasting as DDG, Akashvani where he retired in 1973.

 Prem Nath Dar( Dhar ) was born in a locality distinguished by its many stalwarts in the fields of literature, art, social service, and other public arenas. Eminent artists such as Shiv Nath Raina, D N Walli, Mohan Raina, Som Nath Butt, and Bhushan K Kaw hailed from this area. Noted musicians, including Omkar Raina (sitarist), Krishen Langoo (composer), and santoor player Tej Raina, also originated from this locality. The area was home to notable figures such as playwright and broadcaster Bansi Nirdosh, writer and broadcaster Chaman Lal Hakhoo, scholar and writer Prof Ratan Lal Shant, community leader Pandit H N Jatoo, poet and scholar Padma Shri Moti Lal Saqi and the well-known perfume maker Govindh Joo Navdhara, among many other prominent names across various walks of life. 

 Prem Nath Dar was a prominent writer of Urdu. His Urdu short stories like; Kaghaz ka Vasudev, Doodh, Uttarai, Aakh Thoo, Zanshirin, Gidh, Chadawa, Kofta, Neeli Aankhen, Geet Ke Chaar Bol, Paani se Gadha Lahu, Bhoot Pret, Faayada be Faayad Beech Andherey, Zindagi ke Ghoont, Neeli Botal, Dinon ka Pher, Tehalil Nafsee, Ghalat Phehami etc. became quite popular. These short stories were published in his collections titled “Kagaz Ka Vasudev”  “Neeli Aankhen”, " Betaal Lamhe " and "Chinaron ke saaye mein". He also wrote some musical operas and plays. He was a writer who brought a wealth of different styles and narratives to the Urdu literature of the subcontinent. I am told that his books are included in the curriculum of post-graduation studies in many universities of the subcontinent.

 His contribution towards creating and developing the Pamposh Colony in Delhi has been immense. The colony was meant to create a single settlement for such Kashmiri families residing in Delhi as had moved out of Kashmir in the early forties of the last century. The colony was given practical shape in the 1950s.

 While in Delhi, he never forgot his Kashmiri roots. Master Zinda  Kaul and Swami  Nand Bub were seen at his residence during winter. From Kashmir, he remained an ardent admirer of poet Dina Nath Nadim who shaped the contours of Modern Kashmiri poetry. Prem Nath Dar was a close friend of writer Prem Nath Pardesi, poet cum broadcaster Mir Ghulam Rasool Nazki, artist Som Nath Khosa, Shamim Ahmed Shamim, D P Dhar, Syed Mir Qasim and bureaucrat Mir Nassarullah (IAS).

 It is believed that Dar played a key role in doing the groundwork for the ‘Indira Abdullah Accord’. As head of the high-powered committee of All India Radio, New Delhi, he also designed the format for suitable programs for Radio Kashmir, Srinagar to silence targeted propaganda attacks from Radio Pakistan during and after the 1965 War with Pakistan. His last assignment post-retirement was ‘ Press and Publicity Advisor to the Government of Jammu and Kashmir’.

 He was a confidant of Sheikh Mohammad Abdullah right from day one of Sheikh’s political activism or much before the formation of the National Conference. Later, Sheikh sent him to Lahore and Punjab to meet Congress leaders and seek their support and help for Sheikh's movement against the rule of the Maharaja. In 1975, when Sheikh Abdullah signed the accord with the then prime minister of India Mrs Indira Gandhi, he remembered his old friend. Sheikh Abdullah recalled Prem Nath Dar to Srinagar to serve him as his Press and Publicity Advisor. Unfortunately, Prem Nath Dar died suddenly in September 1976 due to a massive heart attack.  As an obituary,   Shamim Ahmed Shamim, a former member of parliament from Srinagar   (writer and a brilliant journalist) wrote a memorable write-up "Prem Nath Dar- Mera Yaar" (Prem Nath Dar- My Pal), in his Urdu newspaper “Ainaa" published from Srinagar.

 Prem Nath Dar (Dhar) remains unknown in the Kashmir valley as well as in the rest of the country. The book makes him known.

 

( Avtar Mota )

 
                                      

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