BOOK REVIEW
NUND RISHI
(Poetry And Politics in Medieval Kashmir )
Published by Cambridge University Press
ISBN 978-1-009-10045-8
Year of Publication.. 2023
Abir Bazaz teaches English at Ashoka University, Sonept (Haryana). He holds degrees from the Universities of Chicago and Minnesota .Having studied intersections of mysticism and politics in Kashmiri literature, he appears well equipped for the subject that he has dealt through the book under review. While reading the book , one observes that the study of the author is deep and profound done with a mind that is open and free from already set notions or beliefs . This book represents Abir Bazaz's long-term assignation with the poetic corpus of Nund Rishi (1378–1440) who is revered as the 'flag-bearer of Kashmir' ('Alamdār-e Kashmir) . Considered as a spiritual successor of Lal Ded , the poetry of Nund Rishi resonated with a society in flux accepting new faith ( Islam )while retaining some centuries old beliefs and practices . Nund Rishi reached a large audience not through the complex Islamic theology, but a mystical form of poetry called shruks through which he tried to present ‘Sahaja‘ ( simple or natural )’ Islam and also amalgamate the core philosophy of the new faith ( Islam ) with the old faith ( Hinduism ) .This amalgamation is clearly evident when Nund Rishi says, ‘Baar Khodaaya Paap Nivaar‘. Like Lal Ded , Nund Rishi also brings in Shiva implicitly or explicitly at many places in his Shruks thereby owning Lal Ded and her philosophy . He even desires to reach the high pedestal of Lal Ded when he says this in one of his Shruks ;-
“Tas Padmaan Porichay lalle
Yemi gali amrit pivo
Tami shiv vuch thali thali
Tyth me var dito divo”……( Lal Ded )
( Homage to that Lala of padmanpur (Pamore )
Who drank her fill of nectar
The one who saw Shiva here and there
Grant me the same boon my Deva ( God) )
Apart from this book , Bazaz’s research includes subjects like Indian cinema ,religion, violence and literature .Along with Alexandra Verini, he has edited a book titled, “Gender and Medieval Mysticism From India to Europe “.
Published by Cambridge University Press , this 281 page book is divided into four chapters titled , The Sahja Islam Of Nund Rishi , Practicing Death , Becoming Nothing and Vernacular Apocalypse. About 33 pages at the end have been devoted to Conclusion, Bibliography and Index. The author has dedicated the book to Haneefa , Shamshad and Trilok. There is a stream of names in the acknowledgements list which includes the author’s friends and teachers in Kashmir , Sonepat ,New Delhi and overseas Universities .The book is available on major online platforms like Amazon and Flipkart .From the bibliography and footnotes at various pages , one is impressed by the hard work and study of the author for this book . To explain the beliefs and mysticism of Nund Rishi , Bazaz brings into discussion the philosophy of Lal Ded , Rishi Order of Kashmir ,Nirguna Bhakti , Tawheed ,Kubrawiyya Sufis , Sayyid Ali Hamdani’s role ,Via Negativa philosophy of Greeks , Philosophy of Jacques Derrida , Socrates, Heidegger etc. Before reading the book, one needs to know the peculiarities of the Rishi Order of Kashmir of which Nund Rishi happened to be a towering personality . In Kashmir ,the Rishis ( mostly Muslims ) were wandering saints who never married. They did penance and meditation . Having put control over Kaam , Krodh Lobh , Moh and Ahankaar , these Rishis had no temptation for material objects .They never denounced men belonging to other faiths . They planted fruit trees for others .They were vegetarians .
“Hachivih harinji Petsiyuv Kaan Gom
Abakh chhaan pyom yath raazdaney
Manz baag bazaaras kulfa ross vaan gom
Tiratha ross paaan gom kus maali zaaney”……(Lal Ded )
( A grass arrow to lightwood bow I have become
An unskilled carpenter fell upon this capital
A shop without a lock ,in the middle of the bazaar, I have become
A self without a future , who knows my state )
The book starts with above popular Vaak of Lal Ded .The Vaak aptly conveys the predicament of Kashmiris in general after the arrival of Pakistan sponsored armed insurgency in the Kashmir valley .This violent insurgency changed many things in Kashmir foremost being the spirit of accommodation , tolerance and peaceful co-existence .
In the first chapter titled , ‘The Sahaja Islam of Nund Rishi ‘, the author discusses in detail salient features of the Islam as it was practiced in the Kashmir Valley. The Islam in Kashmir has been exclusive and distinct in its nature and one can’t think of the same without taking into account the Rishi Order of Kashmiri Sufism as distinguished from the Shariah oriented Persianate Sufi Orders. According to Bazaz , Islam as preached by Nund Rishi had Sahaja ( easy or natural ) elements carried down from Tantric traditions common to both Hinduism and Buddhism. Through Sahaja , Nund Rishi tried to evolve common religious vocabulary in Kashmir. The author emphasizes that for practicing Sahaja , Kashmiris also named him Sahajanand or the one who tasted the bliss of being natural or simple. The Sahaja Islam of Nund Rishi connects him with Sahaja of Gorakh Nath , Kabir , Ravidas and Guru Nanak. Like Kabir , Nund Rishi also had been a critic of the Mullah/ priest . According to Bazaz , Nund Rishi urges a Muslim to train in spiritual exercise lest his prayers are reduced to merely bending his body . According to Bazaz, Nund Rishi calls the ascetic practices of exercising control over the senses as the true Namaz or Salah. For this Nund Rishi uses the phrase ’danthra namaz’ or the Tantric Namaz. Bazaz feels that the word danthra (Tantra) appearing in the Shruks of Nund Rishi is indicative of ‘Saiva milieu ‘ in which he composed his mystical verse .
“Poz yodh bozakh pantsh nomarakh
Nata maz nomarakh soi chhai namaz
Shiv ta shuniyas muil yodh karakh
Sidho soi chhai danthra namaz “…..( Nund Rishi )
( if you are true , you will bend the five senses
Or else you will be bending only your frame
You must unite Shiva with Nothingness
O Sidha , that alone is the Tantra Namaz)
What Nund Rishi emphasises for self correction is closer to Neti Neti concept of Vedanta . Neti Neti comes very close to the ‘Via Negativa ‘ concept in ‘Apophatic Theology‘ that arrived from ancient Greeks to the Western philosophy .
The 17th-century French philosopher Rene Descartes believed ,‘Man is the only animal who is conscious of his death’ . Like Lal Ded ,death is a major theme appearing in the poetry of Nund Rishi. The second chapter titled , ‘Practicing Death’ deals with ‘Death Consciousness’ and impermanence of life in the Shrukhs of Nund Rishi. According to Bazaz , Nund Rishi advocates for a serious consciousness of death as paramount and fundamental to righteous conduct . A consciousness that is not to be confused with the fear of death . For Nund Rishi ,‘Death Consciousness’ is a reformative force and a fundamental strength within .The author discusses Rahman Rahi’s work on Nund Rishi in this segment to shape his argument . Nund Rishi also reinforces the Islamic tradition that death is inescapable and it does not spare the prophets and the saints .In some Shruks , he compares death to a healing or a curative experience . He calls death a sweet drink which heals : ‘Margitch sharbat chana ros no balizeh’ ( death is a sweet drink without which you shall not heal ). Nund Rishi also speaks about “die before your death” or ‘Marno bronh marizihe’ . This is broadly a Sufi concept of voluntary dying. The Quran says ,”Surely we are for God and to Him , we shall return “ implying death is simply a return to benevolent fold of the creator. In chapter two, Bazaz deals this subject in a brilliant manner .
In chapter three of the book titled , ‘ Becoming Nothing ‘ Bazaz discuses the concept of Shunyata or Void or Emptiness as it appears in the Shruks of Nund Rishi. After Lal Ded , Nund Rishi appears to be deeply engrossed in the study of Shunyata ( shinya ) or Emptiness / Nothingness/ Void. This void or Emptiness has a Rig Vedic origin especially in the Nasadiya Sukta . The primordial ocean mentioned in Rig Veda is synonymous with the concept of Emptiness or Void. Emptiness' or 'Void' is an expression also used in Mahayana Buddhist thought primarily to mark a distinction between the way things appear to be and the way they actually are, together with attendant attitudes which are held to be spiritually beneficial. Bazaz has skillfully dealt Nothingness or Void appearing in the Shruks of Nund Rishi in this chapter bringing Mahayana Buddhism , Kalima (La Illaha illallah ) ,Japanese philosopher Keiji Nishitani, poet Rehman Rahi, philosopher Jacques Derrida ,Samuel Beckett, Kabir, Dadu Dayal, Guru Nanak and Fazlur Rehman ( Islamic scholar ) into discussion to support his arguments. We also know that Nothingness or Void also echoes in the poetry of almost all the prominent Sufi poets of Kashmir including Sochh Kraal, Rehman Dar , Shamas Faquir, Wahab Khar ,Samad Mir and many more .Even one Sufi poet used “ Kenh-nai’ ( Nothing ) as his pseudonym . Bazaz is of the view that Nothingness in Nund Rishi’s poetry also comes from a serious thinking of political equality at a time when new Muslim Sultanate appears as mixed in caste ,clan and race as the order it had displaced . Bazaz believes that the concept of Nothingness or Void in Nund Rishi’s poetry also gives rise to existential politics ; a challenge that the thinking of death and Nothingness in Nund Rishi pose to the positive theological politics that tied monarchical power to Islamic theology .Bazaz concludes that the political impulse in Nund Rishi is not anarchic but utopian.
The fourth and the last chapter is titled .’Vernacular Apocalypse’ that deals with the vernacular vision of Islam as appearing in the Shruks of Nund Rishi. Apocalypse genre is fundamental to all Abrahamic religions . Bazaz believes that the traditional Muslim apocalyptic is deployed by Nund Rishi and hurled against the political structure of his time ( the new Shahmiri Muslim Sultanate ) and also displaced on to metaphors of a sudden inner transformation .
“Ha ha aki sangar taar zan vazaan
Gunbad vazaan dun dun kith
Su zan isharav satyen bozaan
Ko zan bozan nu dum dumu gath ..” (Nund Rishi)
( A single breath and the mountain will blow off
like carder’s wool off a string.
The domes resound with the blows
The good shall recognise it from its signs
The evil shall not even hear the revolutions of the drum.)
According to Bazaz, this Shruk clearly deals with the theme of the apocalyptic and defines the relation between political and religious thinking of Nund Rishi. This Shruk refers to Damaru , a percussion drum of Shiva together with Surah Al- Qar’ia ( chapter 101 of the Quran )where the apocalyptic emerges as the disappearance of the ground and the moment when the mountains blow off like wool from the carder’s string. Bazaz uses Rahi’s essays on Nund Rishi to base his discourse in this last chapter apart from bringing in the writings of G N Gauhar.
Bazaz concludes with a truthful note saying ,“ I may have raised more questions here than I have answered . But it is in the hope that future researchers are able to present a more complex and fuller picture of the intellectual and political legacy of this revered Kashmiri saint , popularly called ‘Alamdar e Kashmir ’ or the flag-bearer of Kashmir .” Bazaz also admits that he could not discuss several other themes like nafas(ego), ishq (love),ilm (knowledge),faqr (asceticism ) etc. that appear prominently in the Shruks of Nund Rishi as these deserve separate treatment. According to Bazaz, even Sahaja needed more detailed discussion. He believes that a comprehensive study of Nund Rishi and the Rishi Order of Kashmiri Sufism needs to be more interdisciplinary to engage it with the fields of South Asian history, anthropology, Indology ,Islamic philosophy and post colonial theory. The book opens many windows and doors for a more holistic and serious research on Nund Rishi , the tallest saint of the Rishi Order of Kashmiri Sufism . I recommend this book or love’s labour to all who are interested in something new and serious written on much loved and revered saint of Kashmir .
( Avtar Mota )
CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.
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