Friday, July 30, 2010

A VIEW OF THE ROAD TO BETAAB VALLEY FROM PAHALGHAAM


TO KASHMIR  MY LOVE!

Laakh Balaayein sar Par tootein 
Ab Yeh Suhaana saath na chhutey
Tan Se Chaahe Jaan Chhut Jaaye
Haath Se Teraa Haath Na Chhutey .
Mudd ke Taknaa theek nahin hai 
Ab Chaahe sansaar Pukaare.
( Saahir )

Let destiny bring miseries in millions ,
Never shall i depart from thy beautiful company .
Even at a point where this life vanishes ,
This hand of mine shall remain tied to thy hand alone .
Never shall i look back even if the
Entire world joins to call me back from thee


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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

ANOTHER VIEW OF SHESH NAAG STREAM IN BETAAB VALLEY PAHALGHAM KASHMIR




TO KASHMIR MY  LOVE !


Tujh Se Rangat Tujh Se Mastee ,
Inn Jharnon Mein Inn Jhoolon Mein.
Tere Dumm  Se   Meri  Hastee
Jhooley  Chaahat ke Jhoolon Mein .
Machalee Jaayein Shokh Umangein ,
Do Baahon kaa Haar Pukaarey.

( Saahir )

You  grant  Colour  and   fun,
To these beautiful waterfalls and Hammocks.
In thy presence My being  Swings,
 in thy Love Hammock  only .
 My Enthusiasm bubbles intensely at thy sight ,
My  Arms become   a  garland  to welcome thee alone .
( Translation  and photograph  Autar Mota 2010 series  )



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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Thursday, July 29, 2010

A VIEW OF SHESH NAAG STREAM IN BETAAB VALLEY PAHALGHAAM KASHMIR.

a

FOR KASHMIR MY LOVE !


Dil Mein Tere Dil Ki Dhadakan
Aankh Mein Teri Aankh ka Jaadoo
Lub Par Tere Lub Ke saaye
Saans Mein Teri Saans ki khushboo

( Sahir )


This heart beats with thy feeling alone,
These eyes spread thy magic only.
These lips long to kiss thee only
My Breath exhales only Thy Fragrance .

  (Shesh Naag stream pours out from shesh naag lake near Holy Amar Nath cave . Flowing through Betaab valley , this stream finally joins Lidder stream which rushes through Pahalgham to join Vitasta or Jhelum. Photo Autar Mota 2010 series . )

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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Tuesday, July 27, 2010

SHADI LAL KOUL A VERSATILE THEATRE PERSONALITY FROM KASHMIR.

                                                                                     
                                                                                  
                                        

"Shamas Ud Din Aage Bado Hum Tumhaare Saath Hain"
I heard the boys shouting  inside  Botanical Park near Chashm e Shahi garden  srinagar on a summer day in 2009 . I knew that a TV Jatta Vanai for DD srinagar Produced and directed by Bashir Qadiri  was being shot with Shadi lal in main lead.I asked one of the boys who must have been  barely 19 years old as to who is Shamas Ud Din And Lo! he opened his  Small notebook  to show me the autograph of shadi lal Koul . It was surprising  to find  enormous fan following of Shadi lal  even amongst  children born after 1990 in  Kashmir.Further  questioning revealed that they were regularly watching the  serial  SHABRANG( 104 episodes ) written by Ghulam nabi kahayal and  produced by Farooq Nazki for DD srinagar . Who does not remember the dialogue " Begum salaal Tse Kyaazie Goyee Malaal " from this TV serial ? Otherwise also the serial was repeatedly telecast from DD srinagar on public demand . Shadi lal played the  main role of Shamas Ud Din   in this Serialized  Tele Drama .This Play was telecast for 3 successive years ( 1981 to 1983 ) and i vividly remember that shops would close and people would rush to their homes to see what Shamas Ud Din had to say in the new episode . The play created a Character that turned to be as popular as  Hero Machama of Pushker Bhan.Shadi Lal became the face of ordinary poor or middle class kashmiri through his innumerable plays  telecast on Doordarshan or Performed on stage at Tagore hall srinagar.. So Much so that he preferred to remain indoors as people identifying with his characters  would   embrace him on roads  . Ladies would kiss his forehead in traditional  kashmiri style . The shopkeepers , Tongawallas , vegetable sellers , school and college students   would shout "Shamas Ud din  Zindabad " loudly at him.

 Meet Shadi Lal Koul  Versatile Theatre actor from Kashmir . A master of comedy  portrayed with combined elements of  naturalism and realism .His vehicle to tell stories of clerks , shopkeepers , petty traders or  man caught in the chores of daily family life   was simple humour .

Born in a middle class family at Chotta Bazar Srinagar , Shadi lal Koul  is a self taught man . No formal training at any institution .Together with his friend  Ayaash Aarif ( actor and director ) he founded KALI DASS Theatre at Chotta Bal srinagar . He also founded Yasmeen Dramatic Club  or his  his  NUKKAD  Theatre in kashmir jointly with Abdul Rahim Kuchhay . 

" Many characters that i have performed  exist in real life . I just observe people who come close to me for any reason .I recreate these characters on stage. My inspiration has been the clerks , Tongawallahs, labourers , Petty traders on the footpath and   men trapped in  circumstances beyond their control  . Autar ji i do not remember how many plays i have done . Most of the plays were performed on stage . A good number of  plays were adapted by TV as well . I also did act in a DD serial under Shyam Benegal Banner with Om Puri.My character as  Houseboat owner in Balwant Gargi's Play "HOUSEBOAT " on Door Darshan was well received . I also acted in a Kashmiri movie Inquilaab produced by a Mumbai based producer and  directed by D K Kanwal. "                                        
                                       

Shadi lal acted in the  play Local Taxes Extra written by Dr Sohal lal Koul.The play  was performed at  Tagore Hall srinagar in 1981. A history  of sorts was created by this play in srinagar. Tickets for the shows would  always be sold in black  for a  fully packed Hall.Additional chairs were always put to accommodate the audience  . Once the Staff at Naaz cinema nearby gave a thrashing to the artists to pack up as the play had played havoc with   their business.This play was also  adapted for television by Ashok Jailkhani  who produced and directed it. I vividly remember that Rajesh koul  another Producer in DD srinagar  brought   Multi step camera to Tagore hall  srinagar and recorded the play  for DD srinagar in another style .

DASTAAR ( Turban ) was a play that touched height of popularity in kashmir valley. The Play was written by Prof. Hari Krishen koul  for theatre initially.The play was staged at Tagore hall in 1978 in a drama festival organised by J&K academy of art culture And Languages .This play was produced by Kamal Theatre Badyaar Bala and directed by Santosh Tiku . Shadi lal acted as  section Officer  in this play and   got best actor award . A  dialogue from this play "Kusum Lata Nein Bataa Kheytaa " is still popular  in valley . This play was also performed on DD with superb acting by late Sh H N Gurtoo  and directed by  Ashok Jailkhani.The play was again done for DD1 channel with Shadi lal again in lead role .
                                        

Another TV serial  done for  DD srinagar was  "RANGAN HEUND RANG ". The play was witten by Pushker Bhan and directed by Dr Sohan lal Koul  .People still remember the main Character NIKKA KOTTUR performed by shadi lal .I am also reminded of a comedy  serial   called  CHERRY TREUCH   written by Makhan lal Saraf and directed by Ayaash Aarif  for DD Kashir wherein Shadi lal Played the role of Gopi Nath Gagroo.  Another Comedy GHULAAM BEGUM BAADSHAH    for DD Kashir  directed by Ayaash Aarif had Shadi lal playing the main character Mokhta Mir.None can forget the comedy TIJARRATUK  AASAAN  TARIKAA  written for DD srinagar by Hriday koul Bharti  produced and directed by Shabir Mujahid . Shadi lal acted as Master Ji in this  popular Drama .I am again reminded of   GAASH   INNUSS   TAAM a play written by Hriday Koul Bharti  and directed by Rajesh koul  for DD srinagar . Shadi lal's  dialogue  " Maaji Hinz driyee Kaami Doah Guvv Zaayee " is still remembered by people in valley .Shadi lal  also acted in three episodes of  GUL  GULSHAN  GULFAAM  under Cinevista Banner .

Shadi lal As Artist 
  Watch him carefully and you find Humour  in his mannerism  and   body language . His dialogue delivery is perfect . He makes appropriate use of his hands and facial expressions . His steps on stage are calculated to match the content of the dialogues. He hardly needs any rehearsals . Apart from acting , Shadi lal also wrote script for a popular TV comedy  SHUKRIYAA  directed by Rajesh koul . His acting field is not confined to kashmiri theatre alone . I remember his acting in a hindi play DULAARI BAI   in 1981. The play was produced by Pragaash Theatre and directed by Vijay Khushoo.When Dr Sohan lal koul translated the popular Kannada play HAIVADAN by Girish Karnard  to kashmiri ( Gurey Buthh ) , it was shadi lal only who became the first choice of the director . Shadi Lal got best actor award  for this play .Again when Mohan Niraash translated  a  kannad Play by S L Bairappa , Shadi lal was the first choice of the director for the lead role. His favourite artists  from  whom he draws  inspiration  include late shri  Vijay suri , Makhan lal saraf , jawahar wanchoo, Ghulam Nabi Baba and Pran chandra.His favourite script writers include Ali Mohd lone , Farooq Masoodi , Bashir Dada and Hari krishen koul .
                                                                                                                    
  


The plays that made him popular   are 

1 Manziel Nikka ( Cradle Baby ) by M l kemmu .  Stage Drama in Pather style .shadi lal acted as Jawaan Maskharaa . Shadi Lal got best actor award .
2 Pagaah sholi Duniyaa by Makhan lal saraf, for TV
3 Gulnaar TV serialized  Drama written by Amin Shaakir 
4Anjaam  TV serialized Drama written by Virender Patwari.
5 Local Taxes Extra written by Dr Sohan lal koul  performed on TV and stage .  Shadi Lal got best actor award 
6 Pazer Yeli Moodh By Makhan lal saraf TV drama produced and directed by M l Kharoo.
7 Wukir Baaneh by sajood sailani for DD srinagar 
8 Dastaar by Prof Hari krishen koul performed  on stage as well as for DD srinagar and DD national .
9 Tassruff done on stage . Play was written by Amin Shaakir . Shadi Lal got best actor award . 
10 Zallur written by Bashir Dada  and performed on stage   in 1982.Performed on DD as well.. Shadi Lal got best actor award 
11 Gruhun  a play written for the stage by sh D K Ganju
12 Cactus written for stage by Dr Sohan lal koul.
13 Yeli Sangar Pholunn a play written for stage by Bashir dada .
14 Hero Machama written by pushker bhan
15 Tikoon  French story of Gye De Maupassant  translated for stage by Dr Sohan  lal  koul
16 Laash Ghar written for stage by Dr Sohan lal koul
17 Noor e Khuda ( Islamic Play ) written by Shadi lal Koul, Ayaash Aarif and L N Tiku.
18 Wazir e Nazar Guzar Written By sajood Sailani  for DD kashir .
19 Jatta Vanai for DD srinagar Produced and directed by Bashir Qadiri.
( Sadiq memorial society conferred Life Time Achievement award to Sahdi lal Koul  for his contribution to  kashmiri. Theatre )

TV Serials Just completed 
1 Naav Durr Aab for DD srinagar directed by Ayaash Aarif .
2Yelee Gaash Pholeefor DD srinagar directed by Ayaash Aarif .  .

TV serials under Production 
1 Vaayee Bichor for DD  srinagar Produced and directed by Shabir Haider 


                                       

Shadi lal's popular Dialogues  

1 GONNAY BAA NAA  KARRAH NA SHRAAN   from the TV play BAA CHADUTHH  NA  written by Farooq Masoodi and directed by Mir Mushtaq. 

2 BEGUM SALAL TSE KYAAZI GOYEE MALAAL. from  TV serial SHABRANG directed by farooq Nazki. 

3 GANAA GOKHAA FANAA. from  TV serial SHABRANG directed by farooq Nazki. 

4 MAAJI   HINZ   DRIY   KAAMI   DOAH   GUVV  ZAAYEE  from TV Play Gaash Innus Taam

5 GONNAI VINI CHAKHAA BONNAI   from the TV play BAA  CHADUTHH  NA  written by Farooq Masoodi and directed by Mir Mushtaq. 
                                                          


                                        
" I am humbled by the affection of people  from valley. Autar ji i  can not tell you how much love and respect i get from my audience while performing on stage or from my viewers who watch my serials or dramas on Door Darshan. . Kashmir is and shall remain my first love though  i am also   associated with  BHOORANG Theatre in Jammu. Long back i was in Sopore and i was stopped by a tongawallah who hugged me suddenly . He desperately wanted me to visit his residence  to have meals especially Fish  . I explained that i was with a  shooting team and  had to go to another village for some shots. Reciprocating his affection i too   hugged him . He kissed my forehead . He held my hand and tears rolled down his eyes. He had seen me in SHABRANG  .That made me  pensive in my entire return  journey to srinagar . I kept  looking at him  from the car window for a long distance when we parted. He kept waving . That is my greatest  award. "
                                        
A graduate  of Amar Singh college srinagar , Shadi Lal is a self taught Artist . He lives happily with his small family  . His son Vijay koul is pursuing degree in animation. .His wife lalita ji is a simple housewife . 
                                                            

This man who brings smiles to faces had his own share of pain and suffering . Destiny snatched his darling child who fell victim to Cancer . Shadi lal breaks down and turns serious even at slightest mention of this painful episode of his life. So long so much on Shadi lal koul .I end this post with two lines from Poet Bashir Badr .

Yeh Hansee Bhi Koi Naqaab Hai - Jahaan Chaahe hum ne giraa Liyaa 
kabhi uss kaa Dard chhuppa Gaye - Kabhi Apnaa Dard Chhupp Liyaa.    

( These smiles on my face are a cover which i use at  will,
At times i hide pain of others and quite often i hide my own beneath it.)                                                            
                                                                                                                                                                                              
Based on a work at http:\\autarmota.blogspot.com\.

Monday, July 26, 2010

SONG OF ABSENCE A POEM BY SHANTIVEER KOUL

SONG OF ABSENCE
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We’ve come a long way, son
Travel weary all along
Stripped of longing
Robbed of song
We’ve left a May behind, son
Way, way behind
Stepped into mutant latitudes, other climes
We don’t remember
Selves of the past
Players who were double-cast
We do not!
Yet remembering never was memory
Memory that lives in absence, in body-less names
Vague yearnings, vain claims
We’ve been away too long son – much too long
And this is not the promised land
And the heavens know no better
And history is a shore adrift
And you, unnamable!
(THIS POEM BY SHANTIVEER KOUL  IS SUPERB AND BRILLIANT.. IT TOUCHES ALL SENSITIVE MINDS   . I HAVE DONE A COPY PASTE FROM MY FACE BOOK PAGE FOR ALL READERS TO ENJOY.SHANTIVEER  INHERITS  POETRY FROM HIS FATHER LATE SHRI  DINA  NATH  NAADIM  A DOYEN OF MODERN  KASHMIRI  POETRY )

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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.

Based on a work at http:\\autarmota.blogspot.com\.

Thursday, July 22, 2010

GHULAM NABI DOOLWAL ENTHRALLING POET AND MUSICIAN FROM KISHTWAR

" Goonga Nawaa Dil Jaane Te Meriye Gunga Nawaa " 
So would many elders in kashmir sing . At school, our principal sh Dina Nath Hanjura once explained that the lines are actually  from   a popular kishtwari song popularized   by singers who trekked the Sinthan Pass   of Kishtwar  to enter  Kashmir valley Via Koker Naag and  Daksum  area. Infact the history of kashmir is directly connected with the history of kishtwar.I quote canto  589 Taranga 7 of kalhana's Rajtarangini  ;
"The chief of kashtwata ( present day Kishtwar ) too ,Sri Uttam Raja presented themselves before the king "


The tallest saint  of the  Reshi order of kashmir popularly known as Nund Reshi actually belonged to  this area only  and his ancestors have been traced as  Thakur Rajputs .Similarly . Baba Zain Ud Din ( whose  ziyarat is presently at Aishmuqam )  belonged to a Rajput family  of Kishtwar  and his actual name was  Zia Singh  . History records that Zia Singh was blessed by Nund Reshi .  After embracing Islam ,he meditated in a cave at Aishmuqam which  place was even visited by the then ruler sultan Zain Ul Abdin. History again records that  during 1319 A. D.  ,  king Sahdeva of kashmir  fled to Kishtwar to save his life from the hurricane like attack of   Dulachu  a Tartar chief  from central Asia  .General Zorawar singh (1786-1841 )  trekked through this area to enter Suru valley to conquer    Ladakh for Raja Ghulab Singh of jammu.


This beautiful upland  valley of kishtwar falls in jammu division though a  Motorable road is under completion to connect it with kashmir valley Via kokkernaag. Perched at an altitude of 5400 feet approximately , Kishtwar town has a scenic location with Sylvan surroundings of forseted hills . River Chenab ( Chander Bhaaga mentioned in Rajtarangini by Kalhana ) flowing from neighbouring Himachal Pradesh, enters the area through Paddar ( known for Sapphire mines ) and   flows near by this  picturesque town.Other valleys in this area are Dachan , Marwah , Wadwan and Chatroo .The climate and altitude of  this area  is ideal for growth of fruits like apples , cherries , pears , walnuts , almonds.The soil of the plateau is also ideal for clutivation of    Saffron . Rajmash ( beans ) grown in Marwah are even exported  now.

In this beautiful land lies an area known as DOOL  where NHPC has also commissioned a  prestigious Hydro Electric Power project.  Incidentally Dool Hasti  happens to be the birth place of  Ghulam Nabi Doolwal  who enthralled entire state with   self created style of music popularized as CHALANT  as also with his  beautiful and progressive poetry . From Dool  he came to settle down  in  kishtwar  Town.  Ask any person in kishtwar town and he shall accompany you to the house of  Doolwal sahib. His Mazaar lies in the corner of the compound of his  house  .  I asked for his music and immediately i was shown the shop" Tanveer Electronics" at hospital chowk from where i purchased some old recorded music of this artist.So much love and regard flows for this artist in the town that one has to see it to believe it .I am informed by some residents of the town that Doolwal  Sahib helped every one who sought his help sometimes financially as well even when he himself continued to struggle .


Enter the world of Ghulam Nabi Doolwal (1925-1990).


                                                                     


"Sadiq  Sahib , Abhi Woh Paimaana Nahin Banaa hai Jiss se Aap Doolwal Sahib  ki Taaleem Naap Sakein
This what late Shri Durga Prasad Dhar ( DP Dhar Known Popularly  ) told to Shri Ghulam Mohd Sadiq  the then Chief Minister  when a senior Bureaucrat objected to his idea  of elevating Doolwal sahib to the post of cultural  Education Officer on a plea that Doolwal sahib was not qualified enough  for the post. . The  proposal for shifting cum elevation of renowned singer cum poet  was mooted by Late Sh D P Dhar and was finally approved by the cabinet.. In fact Doolwal sahib worked as  a  forester in Forest Department  and was posted at Kishtwar. He    had to visit srinagar quite often for his programmes. This frequent movement was inconvenient for the poet cum singer as well as for his  innumerable well wishers  in the valley.His  admirers and well wishers included Bakshi Ghulam Mohd , Sheikh Mohd Abdullah , Mirza Afzal Beg , Syed Mir Qasim ,  Poet Dina Nath Naadim ,  Poet Rehman Raahi , Pandit Prem Nath Bazaz and many more prominent personalities from kashmir .




Abba Ji to his children, Doolwal Sahib to innumerable admirers , Jaanbaaz Kishtwari to the writer fraternity , Ghulam Nabi Doolwal  had a stream of admirers in the state . The singer in him spread the  unique style  of  CHALANT    Music  in the entire length and breadth of our state .The poet in him had spiritual leanings . In srinagar , he would quite often visit his Peer Sidd Sahib for guidance.


                                                                              
I am informed by the family members that the then Director  Radio kashmir Sh P C Chaterji  ( He was posted in srinagar from 1953 to 1956 and  retired as  Director General AIR ) visited Kishtwar and was informed about a  magical young singer from Dool Hasti . Sh Chaterji immediately asked for the boy and heard him singing . Himself a   connoisseur of Music and fine arts , Shri Chaterji introduced   the boy to  Radio kashmir srinagar  and the rest is a history.
                                                               

 Gh Nabi Doolwal  remains a legend in kashmiri Music. He brought the freshness of CHALANT style music  to kashmir from across the   hills  and valleys of river Chenab . Though himself an accomplished poet , It goes to his credit that he sang the songs of almost all poets from valley.  He brought the freshness of  the poetry of many poets of  the then Doda district to kashmir valley  (especially    Rassa Javidaani, Margoob Banihaali , Manshoor Banihaali , Bashir  Bhaderwahi and Nishat Kishtwari ) and  made them known all over.    Ask any kashmiri about  Doolwal and  he shall immediately tell you  all or any one of his following compositions :-


Maanun Tse Peyee sahib Chhu Kunuyee Yaa yetti maanun yaa Taetti Maanun.


Naazneen Yaar Myaani Yee Chhu Mulaaqaat


Shabanamun Kar Ashqbaari Laalzaruss Chhaa Khabar 


Yaa Maag Sorrihay taa Phaagnuss Munz aghar Suu Myon Toth Yaar Iyahe .


Me Nish Seer Thaavun So Gayee Chein Marzee.


Yin Saa Chashmunn Srehh Karakh  Sahlaab Anahumm Yavanuss.


Lol Chonuy Chhum barith Jismuss Taa Beyee Jaanuss Andhur 


Beyee Pheur Sontuk Vaav Bahaar Aav Bahaar Aav


zamaanay Poak Naa Hamdum Toateiy  Kyaah Guvv.


Husanuss Taa loluss Chhaa Kamee Naazunn Taa Niyazunn


Ye Kyaah Gayyo Me Taa tuss meul 


Az Roaz Saanie Dilbur Myaane


Badaam Folai laej badaamvaari  


Gazlee Thodh Pahaan Bahar vuchh zi hey, Lol Saazuk Assar Vuchh zi Hey 


So popular were these songs that these entered the household  of kashmiris . Young and old cherished them . These  songs were  sung in marriages . They were sung in Mehfils . Illiterate women sang them doing daily Chores .Peasants , Teachers , Boatmen paddling in placid DAL LAKE   sang them .Traders , Artisans, Babus , Officers , Bureaucrats  sat together in Mehfils to listen to the soul satisfying singing of this great artist. Every singer copied his style  to sing in Mehfils . kashmiri Pandit women would play Hikkutt in Marriages  singing his songs . Muslim women would sing his songs while   performing  Roff  on various festivals . 


CHALANT
It goes to the credit of this great artist to have introduced a unique style and assembly of musical instrument in kashmiri singing which ultimately came to be known as CHALANT . CHALANT became immediate success. kashmiris found it a new change from the traditional CHAKRI  .Doolwal sahib  made liberal use of harmonium , Flute , Tabla , Ektaara , Glasses , Teen Pyaala , Sarangi and Banjo while singing in CHALANT style.


"While retaining some basic features of kashmiri style of singing , CHALANT  has introduced melody  of the  Hindustaani classical music . CHALANT is a MADHYAA  LAI   of singing with  Proper SUR , TAAL and  CHAAL yet a singer while singing any Gazal in CHALANT has to keep his breath continuous and uninterrupted and unfragmented unlike light Music  where a singer is free to sing in fragments . We can say that  CHALANT is a forceful Melody presented with full devotion of mind and thought where a listner smells the feeling of spritualism . So diffcult is to sing CHALANT just like to win a wrestling . It is a well dressed presentation and has a definite musical format and design . You must listen Haa Yaar Mokhtaa Haar ( O friend ! My garland of pearls ) sung by Doolwal sahib in CHALANT style  . It shall transport you to another world."

This is what Dr Khursheed Ahmed Bhat ( Husband of Alam Ara Jaanbaaz and  son in law of the late artist) told me . To my surprise i found this doctor himself an accomplished singer and a harmonium player .

"Only 30 percent of what my father wrote as a poet  appears in his Book  "PHOLVIN SANGAR ". The rest is yet to be published.He was an affectionate father . My sisters Shamima Ji ,Zamruda ji , Alam Ara ji and Jahaan Ara ji have profound knowledge of music and poetry though Alam Ara and Jahan Ara sing and are approved Radio and  Television artists .Believe me  when i say that Music runs in our blood. " said Zubair Janbaaz son of this legendary artist to me .Zubair is an engineer by profession.
                                                                                     
                                      
" Our brother  is also an accomplished singer . He is shy of singing on the stage. We love his musical sense . You must listen to his singing and style. As child he would accompany his Abbaji  who also encouraged him to sing and play some musical instruments. I remember some  closest friends  and admirers of Abba Ji were  kashmiri Pandits. Abbaji 's popularity touched its zenith during Jashn e kshmir Festival  organized by Bakshi sahib. He was praised by Begum Akhtar sahiba liberally.Some of his intimate friends with whom he shared his pain and happiness were late Abdul Gani Zargar from Kishtwar , Master sona ullah teacher ( he also played Banjo in his troupe) Ghulam Nabi Ahangar , Sham ji ( Brother of Miss Mehmooda Ahmed Ali   the then Principal  Govt Women College Srinagar ), Dr Bashir Ul Haq from Raithan Budgaam kashmir and many more . I do not remember many names at this moment. . " This is what Alam Ara ji  added   to my knowledge about Doolwal sahib and his  family .
                                                                        
I am also informed by many lovers of this artist that he got a rough deal from establishment in terms of recognition of his music and poetry  .Though patted  regularly by Naadim sahib and  Prof Rehman Raahi  for his poetic talents , it was only a bureaucrat  Pervaiz Dewan( IAS ) who pooled  all his efforts in ensuring grant of the much deserved recognition in the shape of   Governor's Award to  this artist  . I am informed that Pervaiz Dewan has even translated a good number of poems from his book " Pholvin Sangar   "


Doolwal As A Poet


Though Doolwal wrote poetry  in a prolific style and he could have sung only his compositions , it goes to the  greatness of this artist that he sang   almost all  other kashmiri poets . If he sang Tassavuf he also sang lovelorn songs .He never projected  the  poet in  him while singing in Mehfils . Some of the  most popular songs composed By Doolwal sahib belong to  Rassa Javidaani , Rehman Raahi ,Margoob Banihali , Dina Nath Naadim and Mehjoor.He is certainly progressive  though he never belonged to the Marxist idealogy in the strict sense of the word progressive  as understood in Urdu poetic circles.He wrote some of the beautiful Naats in praise of  Hazrat Ali ( PBUH ) and Prophet Mohammed ( PBUH). I quote :


















Gusst Taa valie Valie vaav Myaaniss Mahjabeenuss vun salaam.
Dil   Pareshaan Chhum Gomutt  Shaah e Madeenuss vun Salam.



He also wrote that though Paths may be different yet the  ultimate goal of all religions of the world is common. I quote 


Naavun Chhaa farak matalab Chhu Kunuyee 
Maanun Tse peyee sahib Chhu Kunuyee 


He firmly believed in Massavaat or equality of mankind . i quote


Oonch Neech Maa Chhu Ravaa ,
Ittehaaduk yee chhu Mudaa 
Assal kuthh Tarriy naa fikri
 Kuthh Chha vanaan Massawaat 
Naazneen yaar Myaani yee chhu Mulaqaat.


Zoonie laggi choonie jaraan 
Az pagaah taetti Gharr ti karan
Jaanbaaz yetti Chhi Vachhaan 
Vini Ti Panein Zaat Paat 
Naazneen yaar Myaani yee chhu Mulaqaat.
If  Abdul Ahaad Azaad wrote Bata koor ( kashmiri Pandit Girl  ) and Mehjoor wrote Greis koor ( Village Girl  ) Doolwal sahib also wrote Musalmaan koor ( A  Muslim Girl  ). I quote some lines from this poem:


Vattan Pukh Tse Phokh dith Musalmaan koorie
Yeh Chhuyee Khoar Daalaan Tse Shaitaan koorie.


One composition that i have heard from a private collector is just touching . The poet appeals to almighty ;
Inaayat kar Ta az parvardigaara 
Yeh daamun Bhar Ta az Parvardigaara 


Seythaa Vodhbhav chhu Logmutt Kafan tsoorun
Raeneimut  Jaam Mastoorun Taa Hooran
Ye Anigott sar ta Az parvardigaara .


His love song are a treat . I quote 


Yin saa Chashmunn Sreh karakh 
Sahlaab Anahumm Yavanuss 
Yin saa Vosh Traavukh Lageim 
Mohabbat Toofanuss Taawanuss .
 another popular song composed by Doolwal sahib and  sung by late Ghulam Hassan sofi is :


Zamaanai Poak Naa humdum Totee kyaah Guvv.
Tamiss gai zulf Barhumm Totee kyaah Guvv.
Gustee nai   Saaf   Dil Dittah  laaf   Saasa,
Naatiev  Chettah  Aab e Zum Zum Totee Kyaah Guvv



So long so much for this  Icon  . Can i make a request to Authorities for posthumous recognition of his work and talent ? shall the university of kashmir institute A Doolwal Chair in his memory ? Can he not be awarded a Honrory Doctorate posthumously   for the work he did to enrich kashmiri music? Is he not eligible for a Padamshri award  posthumously ? Can we not remember him in any manner ?I also end up with a Quartain of faiz Ahmed faiz which goes as under ;


Hum Khastaa Tanon se mohatsibon
Kyaa Maal o Manaal kaa poochhte ho
Jo Umar Se Hum ne Bhar paaya 
sab saamne laaye daitein hain.
Daamun me hai Musht e Khaak e Jigar ,
saagar Me hai  Khoon e hasarat e Mai,
Lo Hum Ne Daamun jhaad Diyaa ,
Lo Jaam ultaaye deitein Hain.
( Faiz Ahmed Faiz )


We are the enfeebled ,
What is there to ask about our assets , O censors ?
All that life has proffered us , 
we are holding up for scrutiny:
In the hem , a handful of Heart's dust ,
In the goblet, the blood  of yearning 's wine .
look , here we empty our hem,
and here we upturn the wine glass .                                                   


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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
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