Friday, March 14, 2025

THE RAMBAN BRIDGE OVER RIVER CHENAB

                                         


PANDIT JAWAHAR LAL NEHRU ACCOMPANIED BY INDIRA GANDHI AND HER FAMILY   ON WAY TO SRINAGAR  CROSSING RAMBAN BRIDGE ON FOOT  IN MAY 1948.

When Maharaja Gulab Singh took over the reins of the J&K state, he decided to develop Udhampur , Ramban and Banihal route to travel to Kashmir. This road came to be known as Banihal  Cart Road or B.C.Road. At Ramban, a  small wooden bridge was built over river Chenab for movement of men and material.Later ,  a suspension bridge was built  over river Chenab . For many many years , this suspension bridge was the only link to Kashmir valley  for movement of men ,material and motor vehicles.  Passengers had to get down and cross the bridge on foot. Thereafter, the  vehicle would slowly cross the bridge . The  passengers then boarded the vehicle across the bridge.This  suspension bridge was completed during the rule of Maharaja Partap Singh who sat in the first vehicle that passed over this bridge on 2nd May 1921 .This was annual Darbaar move from Jammu to Srinagar.The RCC bridge that is in use currently was built much later in late sixties of the last century.And in 2004 , the old suspension bridge was declared unsafe for vehicular traffic. A  motorable bridge was built over river Jhelum at Sangam near Bijbihara town by Maharaja Partap Singh in 1910. Before that , passengers would generally use Doongas or river link to travel  from Khannabal to  Srinagar .The Dogra rulers built another bridge at Lakhanpur over River Ravi linking the State of Jammu And Kashmir with Punjab. The Dogra rulers also built Kohala bridge linking what is now POK with Srinagar . 

RAMBAN BRIDGE  IN THE  DOGRA  FOLKLORE..

                                         


The bridge uplifted the status of Ramban which at the moment is a district from a mere 15 households. The bridge brought unimaginable happiness and development in the area and the subsequent Dogra rulers used this route to go to the Kashmir valley. The construction of the bridge entered Dogra folklore. 

Ramban  pul baneya
Baneya vaaj garariya
Teri meri preet lagiye, 
lagiye vaaj rawariya
........Dhaare tudaan peiyaan
          kandiyaan peiyaan barsaala

( Avtar Mota )

PS

"Dhaare tudaan peiyaan
Kandian peyiyaan barsaala..."
(The mountain tops had a snowfall 
and the Kandi area had rains)

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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Wednesday, March 12, 2025

MUSIC FOR THE BIOPIC ON BHAGWAN GOPINATH JI , A FILM SCRIPTED AND DIRECTED BY PADAMASHRI PRAN KISHORE KAUL

                                         
                                           
                                           

                                       





MUSIC FOR  THE  BIOPIC ON BHAGWAN GOPINATH JI , A FILM  SCRIPTED AND DIRECTED BY PADAMASHRI PRAN KISHORE KAUL..

"Na takht o taaj mein na lashkar o sipaah mein hai
Jo baat mard e qalandhar ki baargaah mein hai ..."

Pran Kishore Kaul has used four popular Leelas or devotional songs of Mahatma Krishen Joo Razdan in his  biopic "Sarvavyapak : Bhagwan Gopi Nath Ji " . These are :-

(1) "gatta tsejji gash aav chaane zennai
Jai jai jai devki Nandanai"
( Darkness has withered away and light has spread  all around upon your birth .
Victory, victory and victory to you ,O son of Devki )
(2) " hosh dim lagayo pamposh paadan
ha saadan haendh  saadho  lo "
( Grant me awareness , my life at your lotus feet
O highest one among all the saints )
This composition of Mahatma Krishen Joo Razdan is based on Rishi Vasugupta's Shiv Sutra," "Awareness is the knowledge"  .
( 3)
"beil ta maadal venna gulaab pamposh dastai
poozai laagas param shivas shiv nathastai.."

(For your pooja archana ,
 I bring bundles of beil patra,
 maadal flowers, ,herbs, 
roses  and lotus flowers ,
O Param Shiva 
O Shiv Natha .) 

(4)

" Aadhaar zagtuk kunuyi chhu mantar 
Shivai namoh om namoh shivai "

( This universe is founded only on one Mantra ,
' Shivaye Namoh Om Namoh Shivaye " )

In this biopic, apart from the  above devotional songs , Pran Kishore Kaul has also picturised a  great scene in which  women are shown singing Adi Sankara's famous Devi stuti , " gauri amba ambur haakshe aham -eide" while Bhagwan Gopinath Ji is performing a Homa .  The soul touching Shiv Leela of   poet Radhe Nath Masarat ," chaane darshan kuyi chhum  haavas  shankar naavas pooza chheyi " has also been picturised with Bhagwan Ji performing Homa using the ever burning Dhooni (  sacred fire ) before him .And Bhagwan Ji  is shown giving whatever money he has with him to Sadhus proceeding on Amarnath Yatra.In this biopic ,one also hears Henze Vanvun , a group singing practised by Kashmiri Pandits in marriages and  Yageopavit ( sacred thread ) ceremonies and   linked to Sama Vedic chants . We are shown Pandit Ved Lal Dhar Vakil, Jagan Nath Shivpuri , Mohammad Abdullah Tibetbaaqal,   singing in the Darbaar of Bhagwan Gopinath Ji who himself was a connoisseur of Hindustani classical  and Sufiana  music rendered with soothing beats of Santoor . Kudos to Pran Kishore Kaul for  bringing Santoor maestro Abhay Rustom  Sopori for the background music. Pran Kishore has also brought in Kishen Ji Langoo , his old associate at  Pragaash Productions ( a production  company of Pran Kishore Kaul  ) for scoring music of  Leelas and devotional songs  for the film. The orchestration by Saurabh Zadoo, Raja Bilal, Waheed Jeelani and Dilip Langoo  was at Pran Kishore's specific request . Dilip Langoo has  contributed as actor as well. I am informed by Pran Kishore Kaul that every musician came free and happily at his first  call. That is great . 
Watch this labour of love on a bigger screen. It gives an unforgettable satisfaction.I felt it  and loved it. Many many more creative years to Pran Kishore Kaul .He has done something impossible at his age .
I conclude with some lines from a poem that Modern Hindi poet Sumitranandan Pant wrote on Bhagwan Gopinath  Ji.  The poem was read by him in  a gathering  at Allahabad on 27.11.1976. Pant Ji died in 1977. I quote :-

"Jyoti bhoomi jai Bharat desh
Jyoti charan dhar  vichre prabhu-var
Jahaan vividh dhar vesh.

Leitay yahaan dhooli par Ishwar
Ramkrishen Gautam ka tan dhar
Aaye Gopinath  Mahatama
Laaye prabhu sandesh..

Shradanjali arpit kartaa mun
Mangal-mai ho divya aagaman
Paavan karo dharaa ko unke
Padh raj kan, har klesh
Jyoti bhoomi jai Bharat desh."

( Avtar Mota )

PS
The film was premiered and  released on 8th March 2025 by Bhagwan Gopinath Ji Trust  at  Abhinav Theatre Jammu with  Sri Atal Dulloo IAS ,Chief Secretary J&K UT being the Chief Guest of the event. It is currently being shown in  some cinema halls in Jammu . Tickets are available at Bhagwan Gopinath Ji Trust Udhaywala ,Jammu .



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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Tuesday, March 11, 2025

AZEEZ DED : THE MIDWIFE FROM SRINAGAR CITY

                                         



AZEEZ DED

Padamashri Pran Kishore Kaul  said this :-

"On the right side of River Jhelum in Srinagar city , right from Badiyar Bala or you can say from  Gawakadal right upto Zaina Kadal , there was only one  midwife known as Azeez Ded . Most of us were born through her hands. She was summoned for my birth also . As I grew up, I saw her performing this noble service regularly. She was tall , fair complexioned and graceful woman. Due to her competence, mannerisms and polite communication, Azeez Ded had earned respect and affection  of many Kashmiri families of that period . A period when there was no municipal tap water in Srinagar city and only Maharaja's Palace (what was later old  secretariat  ) had electricity. There was a jubilation in the city when electricity was provided to the households by Maharaja Hari Singh . Voltage was dim but better than the oil lamp that Kashmiris were used to. Power was switched on during evenings for 3 hours and after 10 pm, it was switched off .

 During Summers , artists from Lahore associated with Parsi theatre would come to city to perform plays that had comic characters also. There was no radio or  newspaper or cinema or any other  entertainment except gossip. This was a period when  water of River Jhelum that we called Vyath was fit for drinking. It was clean and clear. Many professional water carriers would bring water from the River and supply it to households using Matkas . The water carrier  was known as Paaneur in Kashmiri. 
A period When Maharaja Hari Singh had started free modern  education for Kashmiris through newly opened schools. Vested interests and general public initially opposed this move and they named these schools as Jabri ( forced upon ) schools.  
After the second World War, Maharaja Hari Singh purchased two old transmitters from the British . One was put in Ranbir School Jammu and Radio Kashmir first started from that place. Maharaja was keen to set up a  radio station in Srinagar and accordingly ,  the second transmitter was moved to Srinagar and installed in Polo ground Srinagar . It was from this place that Radio Kashmir ,Srinagar started functioning

For more , listen the  insightful interview of Padamashri Pran Kishore Kaul on Radio Sharda this Sunday morning .

( Avtar Mota)


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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Sunday, March 9, 2025

TEARS AND SMILES : MAKHAN LAL SARAF MEETS PADAMASHRI PRAN KISHORE KAUL

                                      
                                            



                                            
                                           
                                          
                                             
        (Padamashri Pran Kishore Kaul, composer Kuldeep Saproo and Avtar Mota  ..L to R )           
                                           
                                             







                                            



 

                      
Tears and smiles (  7th March ,2025 ).When the doyens met.
( Photos..Avtar Mota )

Padamashri Pran Kishore Kaul  and  Makhan Lal Saraf .Venue:-  Circuit House, Canal Road ,Jammu 

                                            
Padama-Shri Pran Kishore Kaul,  the pioneer of radio drama in Kashmir, pioneer of regional cinema of Kashmir, painter,  screenplay writer of some very successful TV serials like Gul Gulshan Gulfaam, Ghutan, Saaye Devdar ke, author of three novels , the man who interviewed great personalities for the radio including Dilip Kumar , director of highly acclaimed operas like Bombur ta Yemberzal and Vitasta , Sahitya Akademi awarded writer and eminent broadcaster meets Makhan Lal Saraf ,the Bhisham Pitamah of theatre in J&K at Circuit House, Canal Road ,Jammu . Pran Ji is in Jammu from 7th March 2025 to 11th March 2025  for release of film on Bhagwan Gopinath Ji ( scripted and directed by him ) and also for the release of a film on his life and work made  by Sudesh K Verma for Sahitya Akademi ,New Delhi .
                                       
I believe Makhan Lal Saraf is conveying his feelings  through Akhtar ul Iman's  poetic lines . I quote Akhtar ul Iman :- 

"Tum se berangi-e-hasti ka gila karna tha
Dil pe anbaar hai Khoon-gashta  tamanaaon ka
Saaqi-o-baada nahin jaam-o-lab-e-joo bhi nahin
Tum se kehna tha ki ab aankh mein aansu bhi nahin”.

( Avtar Mota)



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CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

Wednesday, March 5, 2025

REVIEW OF MY BOOK " THE BRIGHT STARS OF THE FOGGY NIGHTS "


                                                                                 




THE BRIGHT STARS OF THE FOGGY NIGHTS

(Stories from Kashmir)

By Avtar Mota

Published in February 2025

Price Rs460/=

Available on Amazon in India and worldwide

https://notionpress.com/in/read/the-bright-stars-of-the-foggy-nights

https://www.amazon.in/dp/B0DXV9SRK5

 

Avtar Mota hardly needs any introduction. A Kashmiri to the core, he has chosen to write in English the stories of Kashmir that bring alive men, matters and musings from the social life of the 1800s and 1900s . With 9 books and more than 250 articles on art and culture of Kashmir published in national and international newspapers, Journals and magazines, Avtar, Mota is the recipient of the SaMaPa Award 2022 and the Harmony India Award 2024. Parvez Dewan (IAS), author and former Tourism Secretary (Government of India), calls Avtar Mota,’ The foremost chronicler of the social history of Kashmir’. Journalist Arthur Joe writes this about Mota’s work:-

“Through his stories, Mota presents something that evokes nostalgia and compassion.In every story, Mota is with you both as narrator and spectator. He enthuses, informs, and clarifies as he makes you read his stories. He makes you to travel with him and become a part of his interesting coverage.”

This is Mota’s ninth book that has twenty-one stories about some men who exhibited brightness during nights that were unfortunately foggy and dark. They remained unnoticed and unseen. Mota opens a wide panorama of social life of Kashmir which covers everything that one needs to know about the troubled land. This time Mota includes some  bright stars from Jammu like Santokh Singh ( commercial painter ), Vidhya Rattan Khajuria ( sculptor ) , Susham Sharma ( theatre artist ) , Dr Ved Kumari Ghai ( scholar ) and Vijay Suri ( actor and writer ). From Kashmir he gives you gripping anecdotes about men like Vasudev Reh ( poet ), Makhan Lal Mahav ( humour poet ), T K Jalali ( vocalist and composer ), Akhtar Mohiuddin ( writer ), Hari Kashmiri ( film actor and producer ), Som Nath Zutshi ( short story writer ), Prof Jay Lal Kaul ( scholar ), Prof T N Ganju ( scholar , linguist and astrologer ), Jagan Nath Saqi (radio artist ). Noor Mohammad Kitab (bookseller and publisher), Pran Nath Butt (unknown artist) and Farooq Nazki (poet broadcaster). The most interesting person covered in this book happens to be nationalist and freedom fighter Dr Saifuddin Kichloo, who chose to stay in India opposing the Two Nation theory. Mota reveals the humanism and compassion of Kichloo in surrendering his mansion in Amritsar to some Hindu refugee from Pakistan while personally moving to Delhi. We are told that Kichloo, the hero of Jalianwala Bagh, has been the real and unsung architect of the Indo-Soviet Treaty, who was  granted the Order of Lenin by the Russians.

For the quality of his social life stories, some of Mota’s essays have been translated into Bangla and French and published in journals. Many copy-paste writers have also resorted to thieving these stories for cheap popularity. Most of the stories in this book are based on one-to-one interviews with the persons covered or with their family members.  The reader becomes privy to some unknown and interesting facets from the personal life of the characters that Mota explores with skill and truthfulness. For instance, Mota informs that commercial painter Santokh Singh has donated about 18 Kanals of prime land in Jammu city for a cremation ground. About poet Vasudev Reh, Mota writes,” It was possibly 1975 or 1976, a Mushiara was held at Vishwa Bharati College, Rainawari. Dina Nath Nadim, Rehman Rahi, Ghulam Nabi Firaq, Vasudev Reh, Radhe Nath Masarat and many more poets attended this Mushiara. I saw Nadim (who presided over the event) telling the audience that two more Nadims are in the poetic field today. One is from Maraaz (South) and the other is from Kamraaz (North) of Kashmir. He meant Radhey Nath Masarat and Vasudev Reh.” Mota calls Vidya Ratan Khajuria as a pioneer of sculpture in the J&K. We are informed about the beautiful landscapes of Kashmir done by Khajuria, a place that he loved intensely. We are informed that Susham Sharma was the most talented theatre artist of the state who received thunderous applause and standing ovation as she performed solo in Ved Rahi’s well-known Dogri play “Aale” for the “PANJ PAANI THEATRE FESTIVAL“  at Lahore. The audience included many Dogri speaking elders who had migrated to Pakistan from Mast Garh, Sarajaan Di Dakki and other localities of Jammu city. Mota interviewed Susham Sharma before her death. The book informs about the ‘Art of Exile’ being created by Bhushen Kaul through his ‘The Studio of Exile’. From this studio emerged a series of paintings that were named, “ Rangoon Death“, ”Cry “, “Exodus “ and ”One Of These Days, Sky Will Break “. We also come to know the amazing contribution of Pandit T K Jalali as composer and vocalist who trained more than one hundred aspiring students. The book tells us about immense social service performed with compassion and sincerity by Dr  Girja Dhar and her husband Dr Naseer Ahmed  Shah.The book informs that in Kashmiri literature, one finds an acute shortage of novels. However, this area achieved a breakthrough after Chaman Lal Hakhoo came up with his 700-page Kashmir novel titled,’ Wasturvanuk Seh’ or ‘The Lion of Wasturvan’. We are also informed about the Hakhoo’s contribution in many areas. The book conveys some sincere feelings of Akhtar Mohiuddin who told this to Mota before 1990, “How can I repay the debt to Som Nath Zutshi’s wife, a goddess and for me, a real sister in need? Do you know she single-handedly did all the post-delivery care of my wife once? Do you understand the word 'Phott' in Kashmiri? It means post-delivery care. Where in this life can this debt be repaid?”

The stories about Hari Kashmiri in Bollywood, Noor Mohammad Kitab known as Munshi Kewal Kishore of Kashmir are inspiring and attention-grabbing. Many interesting aspects of the scholarly personality of Prof Jay Lal Kaul, Dr Ved Kumari Ghai and Prof T N Ganju find mention in the book. The book reveals the interesting anecdotes from the life of Jagan Nath Saqi, a well-known radio and theatre artist from Kashmir.Saqi was nicknamed 'Raasa-kath( dancing lamb) ' and 'Jaga Angrez' by Kashmiris for his humour and style. Farooq Nazki finds special mention in the book. We are informed that Nazki would secretly visit Bhagwan Gopi Nath Ji’s Ashram in Udhaywala in Jammu. Nazki’s feelings for the exiled Kashmiri Pandits as mentioned by him in his poetic collection ‘Naar Hyotun Kazalvanas ‘ also find detailed mention in the book.I conclude with what Nazki writes:-

“Mushuk valith aav vaav sontuk,

Dichin bashaarat.

Yimav qadam kaed garav nebar,

Tim na aayee pheerith,

Na Tchhandi sontan ...”……………..( Farooq Nazki )

 

 (Bathed in perfume,

the spring has once again come this way,

 bringing some good news.

 Alas! Those who stepped out of their homes, did neither return?

Nor did this spring seek their whereabouts.)

 

The book is a treasure and I recommend this treasure trove to all.

 

( Indu Bhushan Zutshi )

PS 

And Parvez Dewan IAS writes this about the book :-


"We are fortunate to have among us a researcher as intrepid and a raconteur as lucid as Avtar Mota to record and retell the history (stories, actually)  of Kashmir in the 1800s and 1900s. This is the third successive volume that I'm aware of in which he dedicates a chapter each to some of the talented (and interesting) individuals of that era. They are mostly Kashmiri Pandits, but also some Muslims and Jammuites. I had not heard of most of them, but he has written so interestingly about each that they come to life in the pages of this lively book—indeed, series of books.  The printed price ₹460 is low enough but I am sure that on Amazon  you will get it even cheaper." 


 




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